Type b dual red

Buy USB 3.0 Dual Power Y Shape Type A to Type B Micro Cable for R115.00

400V 25A 8P Fork Type Terminal Stripe, Material: Brass, PVC 600V 25A 8P (Dual Row) Barrier Terminal Block, Strip Material: Brass, Screw: Zinc plated Iron Each pair of barrier terminal block is insulated from the next, prevent circuit in disorder.The furcate pre-insulated terminal is easy to connect with electrical wire to strengthen its reliability and safety. Base with high quality flame retardant PC engineering materials, with excellent flame retardant and impact resistance (transparent dust cover is not flame retardant). High-quality brass guide, excellent electrical conductivity, the appearance of nickel-plated, rust and durable. Package included:: 5 x Barrier Terminal Block; 10x Terminal Stripe (Red:5, black:5).24-month Qishare with 30 days Full Refund.

Buy Bakeey P40S-F Wireless bluetooth Selfie Stick Foldable Mini Tripod With Dual LED Fill L... (TYPE: B) for R685.21

DJM S9 for sale. 30K non neg. Mint condition in overall except on one side of the faceplate (crossfader section). DJ Gadget junkies would know that this was the one mistake Pioneer made with the faceplate, luckiky this cann be replaced easily with a new one (available on 12 inch Skinz) This is one beast of a mixer!! If you're into scratching, battle style DJing, this is the way to go... Serious buyers only!! ____________________________________ Pioneer DJ DJM-S9 2-channel Mixer for Serato DJ 2-channel DJ Mixer with Dual USB Audio Interfaces, 16 Performance Pads and Effects Controls for Serato DJ, Onboard EQ/Filtering, and Magvel Pro Adjustable Crossfader Pioneer Pro DJ DJM-S9 Digital Mixer Features: A powerful club-ready DJ mixer for use with vinyl and Serato DJ DVS systems Dual USB audio interfaces make battle setups and changeovers easy Onboard EQs, filters, and effects provide excellent standalone functionality Adjustable Magvel Pro crossfader lets you dial in the curve and resistance you like 16 RGB-backlit performance pads let you trigger hot cues, loops, rolls, and more Customizable effects controls include high-visibility OLED displays Tech Specs Channels: 2 + mic Audio Interface: 24-bit/48kHz via USB MIDI Control: Yes Effects: Yes Analog Inputs: 2 x stereo RCA line, 2 x stereo RCA phono, 1 x XLR/Combo mic, 1 x stereo RCA aux Analog Outputs: 1 x stereo XLR, 1 x stereo RCA, 2 x 1/4" booth, 2 x headphones Headphones: 1 x 1/4", 1 x 1/8" MIDI I/O: USB USB: 2 x Type B Crossfader: Magvel Fader Pro EQs: 3-band EQ with filter

These are exceptional speakers, in mint condition, at a fraction of their new price. Review from SoundstageAccess: “The Polk LSiM705 is a very good loudspeaker that, at $2999.90/pair, is also a high-value bargain, especially in terms of craftsmanship, build quality, and pleasing visual design. I found it also to be, more often than not, a very good-sounding speaker that could conceivably benefit from more power and/or biamping, which I was unable to provide. The LSiM705 should be auditioned either in a stereo pair or as part of one of Polk’s home-theater systems. Not only is it not a starter speaker — the LSiM705 might be a final destination for the audiophile seeking a neutral-sounding floorstander of modest size whose looks match its fine sound.” b'/xc2/xa0' Specs: Qty Included: 1 Availability: US Height: 47″ (119.38 cm) Width without Base: 8.31″ (21.11 cm) Depth without Base: 14.38″ (36.53 cm) Weight: 78 lbs (35.38 kg) Width with Base: 9.25″ (23.5 cm) Depth with Base: 16.25″ (41.28 cm) Driver Enclosure Type: Sealed Driver Complement: • (1) 3.25″ (8.26 cm) d (Round) Super Cell Aerated Polypropylene – Mid/Woofer • (2) 5″ (12.7 cm) d (Round) Super Cell Aerated Polypropylene – Midrange • (2) 7″ (17.78 cm) h x 5″ (12.7 cm) w (Oval) Cassini oval, Super Cell Aerated Polypropylene – Subwoofer • (1) 1″ (2.54 cm) d (Round) Enhanced Ring Radiator – Tweeter Enclosure Type: Mid-High Array Enclosure Type: Sealed Enclosure Type: Subwoofer Enclosure Type: Dual PowerPort bass venting Total Frequency Response: 22 Hz → 40,000 Hz Lower and Upper -3dB Limits: 42 Hz → 30,000 Hz Type: Orth Crossover Design Midrange/Woofer Crossover Frequency: 100 Hz Tweeter/Midrange Crossover Frequency: 2800 Hz A V Receiver Crossover Settings: (40 Hz) Recommended Amplifier Power Per Channel: 20 watts → 250 watts

Klipsch – “keepers of the sound” Absolute monster active sub from these legendary USA manufacturer of high quality speaker equipment. Rare find In very good condition – cherry finish. One active 12 inch front firing subwoofer, with two side firing 12 inch passive radiators. SPECS:- ENCLOSURE TYPE – Bass-reflex via dual rear-firing passive radiators ACTIVE DRIVERS – Ultra-high-excursion 12″ (30.5cm) Cera metallic™ cone, front-firing woofer PASSIVE DRIVERS – Dual ultra-high-excursion 12″ (30.5cm) Cerametallic™ cone, rear-firing passive radiators AMPLIFIER TYPE – BASH® Digital hybrid AMPLIFIER POWER – FTC Rated Power: 800 watts continuous @ b' BANDWIDTH 19–120Hz ± –3dB MAXIMUM OUTPUT – 120dB @ 30Hz 1/8 space, 1m CONTROLS DCS control and feature set with 5 system presets and ARC™ Adaptive Room Correction INPUTS L/R Line-level RCA jacks. USB 2.0 OUTPUTS L/R Line-level RCA jacks (pass thru) FINISH – Cherry WEIGHT – 32.2kg HEIGHT – 47.6cm WIDTH – 61cm DEPTH – 55.2cm Pics from the net.

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

Concerto Features Two pairs XLR input connectors for balanced system configurations. Three pairs RCA input connectors for unbalanced system configurations. Two pairs of parallel, high-current, balanced line level preamplifier outputs to allow driving of external amplifiers, subwoofers, zones, etc. Fully-balanced transformer-coupled inputs provide universal compatibility with other components and eliminate ground loop noise and EMI. Fully-balanced circuit topology implemented on all inputs and outputs. Bypass function allows for transparent use in combination audio/home theater systems. Regulated, high-current, linear power supply provides stable operating voltage with the lowest possible noise and distortion artifacts under all operating and line conditions. Low power consumption permits constant power-up operation to eliminate warm-up time. Optical encoder type volume control maintains quiet, trouble-free performance and accuracy over the entire lifetime of the product. Dual range volume control allows large volume level changes when knob is rotated abruptly, yet allows small, precise volume level changes when knob is rotated slowly. Six function, hand-held infrared remote transmitter. Ultra-low resonance, structurally rigid chassis, precision-machined from a solid block of aircraft grade 6061-T6 aluminum. Optional plug-in phono cards (installed internally) convert Line Input 2 to high performance phono inputs. Three gain and loading options can accommodate moving magnet (MM), moving coil (MC) cartridge types and high output moving coil cartridge types. Concerto Specifications Overall Gain 20 dB Gain Range 99.5 dB, 199 Equal Increments Gain Resolution 0.5 dB, +/- 0.03 dB Over Entire Range Frequency Response 10 Hz – 280 kHz, -3 dB Maximum Input Level 15 volts RMS @ 0 dB Gain Maximum Output Level 13.5 volts RMS CCIF Intermodulation Distortion, 19/20 kHz b' Output Noise Level 43 Microvolts, Unweighted 20 Hz – 20 kHz Bandwidth, 0 dB Gain Common Mode Rejection Ratio b'>' 90 dB, 20 Hz – 20 kHz Input Impedance 40K ohms Balanced or Unbalanced Channel Separation b'>' 90 dB, 20 Hz – 20 kHz Inputs 2 pair Balanced (XLR) 1 pair Unbalanced (RCA) Unity Gain (Bypass) 3 pair Unbalanced (RCA) Outputs 2 pair Balanced (XLR) Line Level Power Consumption 7 watts Preamplifier Weight 21 lbs. / 9.8 kg Overall Preamplifier Dimensions (H) x (W) x (D) 3.2” x 17.3” x 12.9” 80mm x 440mm x 328mm

Specifications Keyboard: 61 Keys with touch respons Sounds: 395 Voices Polyphony: 32 voice Rhythms: 150 Accompaniments wit 2 variations each Rhythm control: Start/Stop, sync, Intro/Ending, Fill A, Fill B Songs: 100 songs, 2 demo’s Sequencer: Record/Play, Start/Stop, Pause, Fast Forward/Rewind General Controls: Master volume, Accompaniment volume, Tempo +/-, Voice, Style, Song, O.T.S., M1 – M6, Dual, Touch, Sustain, Metronome, Demo, Piano, Transpose +/-, Octave +/-, Pitch bend Speakers: 2x 5 watt / 4 ohm Registration memory: 6 Memories for storing presets Learning system: Chord Dictionary, Lesson Function Connections: Adapter 12 volts, Headphones, USB, Sustain, Auxillary Out Dimensions: 986mm (w) x 348mm (d) x 142mm (h) Weight: 6Kg (without batteries) Recommended Power: 12 Volt adapter Type 2