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PA Amplifier, 70V / 100V Line Distribution, 600 Watt RMS Class D, 2 Mic and 1 Line, 4 Zone, MP3 PlayerBRAND NEW FULL 12 MONTH WARRANTYFREE DELIVERY NATIONWIDET&C's Applyhttps://www.nxtleveltech.co.za/BEST PRICE ON NEW GEAR Stock ID: Hybrid PA600M 600-Watt 4 Zone 70v/100v Line PA Amp

PA Amplifier, 70V / 100V Line Distribution, 500 Watt RMS Class D, 2 Mic and 1 Line, 4 Zone, MP3 PlayerBRAND NEW FULL 12 MONTH WARRANTYFREE DELIVERY NATIONWIDET&C's Applyhttps://www.nxtleveltech.co.za/BEST PRICE ON NEW GEAR Stock ID: Hybrid PA500M 500-Watt 4 Zone 70v/100v Line PA Amp

Horn, 30Watt with 100V tappings (30/15/7.5/3.8W) or 8OhmBRAND NEW FULL 12 MONTH WARRANTYFREE DELIVERY NATIONWIDET&C's Applyhttps://www.nxtleveltech.co.za/BEST PRICE ON NEW GEAR Stock ID: Hybrid H30 30Watt 100V Line Horn

Sampling Rate - 48 kHz Width - 218 mm Height - 107 mm Depth - 301 mm Weight - 3.2 kg A/D Converter - 24 bit S/N Ratio Line - 91 dB S/N Ratio Phono - 86 dB S/N Ratio Mic - 80 dB Crosstalk Line - 78 dB Distortion - Master Level Meter Size - 7 segment Channels - EQ/ISO 3 band EQ/ISO Range -8 ~ 9 dB Level Meter Type Individual Level Meter Size 7 segment Performance Control Channels - 2 Sound Color FX - Crush - Filter - Gate - Jet Effect/Sampler 3-Band Isolator - Yes Effect Level & Depth Volume Mic Mic Connection Jack Mic EQ 2 band Mic EQ Range -8 ~ 0 dB Terminals Inputs 1 MIC (1/4 inch Jack) 2 CD/LINE (RCA) 2 PHONO (RCA) USB 1 USB A port Outputs 1 HEADPHONE MONITOR (1/4 inch Jack) 2 CONTROL (Mini-jack) 2 MASTER (RCA)

The 1,100-Watt full range MILAN M12 is a portable 12? two-way powered loudspeaker. featuring: two independent input channels with Mic and Line Inputs, selectable via a Mic/Line switch; a two-band master EQ (Bass, Treble); intelligent Limiting; and a Mix Out function for connecting additional powered loudspeakers for easy system expansion. Designed for both portable and permanent install applications, the M12?s discrete inputs are each equipped with balanced, combination ¼ ” jack/ XLR connectors and a Level control, making them ideally suited for a wide range of music sources, from low-impedance microphones, acoustic guitars and keyboards ?to mp3 players and mixing consoles. The 1,100-Watt full range MILAN M12 is a portable 12? two-way powered loudspeaker. featuring: two independent input channels with Mic and Line Inputs. selectable via a Mic/Line switch. a two-band master EQ (Bass, Treble). intelligent Limiting. and a Mix Out function for connecting additional powered loudspeakers for easy system expansion. Designed for both portable and permanent install applications. the M12?s discrete inputs are each equipped with balanced. combination ¼ ” jack/ XLR connectors and a Level control. making them ideally suited for a wide range of music sources. from low-impedance microphones. acoustic guitars and keyboards ?to mp3 players and mixing consoles.

Disc 1: (I’ve Had) The Time of My Life – Bill Medley & Jennifer Warnes My Heart Will Go On – C line Dion 9 to 5 – Dolly Parton Loco in Acapulco – The Four Tops When the Going Gets Tough, the Tough Get Going – Billy Ocean Eye of the Tiger – Survivor Living in America – James Brown Viva Las Vegas – Elvis Presley & The Jordanaires Mrs. Robinson – Simon & Garfunkel Brown Eyed Girl – Van Morrison I Walk the Line – Johnny Cash Ghostbusters – Ray Parker, Jr. Danger Zone – Kenny Loggins Everyday People – Sly & The Family Stone Aquarius / Let the Sunshine In (The Flesh Failures) – The Fifth Dimension Suicide Is Painless (From the 20th Century-Fox film “M*A*S*H”) – The Mash The Good, The Bad and The Ugly – Hugo Montenegro & His Orchestra The James Bond Theme – John Barry Disc 2: Footloose – Kenny Loggins Holding out for a Hero – Bonnie Tyler Let’s Hear It for the Boy – Deniece Williams Jumpin’ Jack Flash (From “Jumping Jack Flash”) – Aretha Franklin I Say a Little Prayer – Diana King Don’t Leave Me This Way – Harold Melvin & The Blue Notes Ain’t No Stoppin’ Us Now – McFadden & Whitehead Boogie Nights – Heatwave Best of My Love – The Emotions That Lady – The Isley Brothers O-o-h Child – The Five Stairsteps I’m so Excited – The Pointer Sisters In The Wee Small Hours Of The Morning – Carly Simon I’m Kissing You – Des’ree Someday – John Legend She’s Like the Wind – Patrick Swayze feat. Wendy Fraser Almost Paradise – Mike Reno feat. Ann Wilson Angel – Sarah McLachlan Disc 3: Over the Rainbow (From “The Wizard of Oz”) – Judy Garland Singin’ in the Rain – Gene Kelly with the M-G-M Studio Orchestra Raindrops Keep Fallin’ on My Head (From the 20th Century-Fox Picture “Butch Cassidy and the Sundance Kid”) – Peter Nero Moon River – Henry Mancini & His Orchestra and Chorus Speak Softly Love – Andy Williams Blue Velvet – Bobby Vinton Stay – Maurice Williams & The Zodiacs Flowers on the Wall – The Statler Brothers Everybody’s Talkin’ – Harry Nilsson Ballad of Easy Rider – The Byrds Things Have Changed – Bob Dylan Hotel California – Gipsy Kings I Can See Clearly Now – Jimmy Cliff Ain’t No Sunshine – Bill Withers Love Is a Crime – Anastacia 1 Thing – Amerie Somebody to Love – Jefferson Airplane Nothing’s Gonna Stop Us Now – Starship Disc 4: The Pink Panther Theme – Henry Mancini & His Orchestra Deeper Underground – Jamiroquai Waiting for a Star to Fall – Boy Meets Girl I Believe I Can Fly – R. Kelly From the Heart – Another Level To Be Loved – Train Wherever You Will Go – The Calling Livin’ Thing – Electric Light Orchestra Perfect Day – Lou Reed Pretty in Pink – The Psychedelic Furs Feed My Frankenstein – Alice Cooper Only Solutions – Journey Maneater – Daryl Hall & John Oates Everybody (Backstreet’s Back) – Backstreet Boys Wake Me up Before You Go-Go – Wham! I Ran – A Flock Of Seagulls Rockit – Herbie Hancock Lost In Space (Theme) – Apollo 440

LIKE NEW Sound devices 302 Highlights mic or line level inputs and outputs 3 x microphone preamps l e d displays +48 v, +12 v and +12 v t phantom power channels 1 and 2 are stereo linkable high pass filter switches powered by 3 a a batteries includes x l 14 headphone extension cable 4 x adhesive rubber bumpers 4 x color dot stickers Features the 302 portable compact production field mixer from sound devices is a compact, battery powered professional audio mixer with three mic preamps and balanced transformers designed to handle very low frequencies it can be used to interface with wireless transmitters and receivers, camera audio inputs, or external audio recorders in e n g (electronic news gathering), e f p (electronic field production), and broadcast t v applications with a complete feature set like the super bright l e d display, internal limiter, and high pass filter, the 302 can accommodate nearly any over the shoulder production and perform reliably in just about any indoor outdoor field condition controls on the 302 mixer are accessible on its three main surfaces, and the mixer is powered by three internal a a batteries or an external 5 to 18 v d c adapter (sold separately) this mixer is a suitable tool for production companies and camera operators wanting to take control of their audio in addition, an x l 14 headphone extension cable, four adhesive rubber bumpers, four color dot stickers, and a setup menu reference card are also included 3 transformer balanced inputs the compact mixer features 3 transformer balanced microphone or line level switchable inputs via x l r female 3 pin connectors Flexible monitoring the 302's headphone monitor out is capable of varying output impedance between 8 to 2000 ohms the monitor source is capable of individual channel, mono, stereo, m s to stereo monitoring, and more Input and output limiting each input and stereo outputs provide limiting that prevents signal overload, eliminating noise and distortion polarity (phase) reverse switch channels 1 b'&' 2 are stereo linkable and channel 2 features a polarity (phase) reverse switch this makes the 302 ideal for decoding m s stereo captured audio signal Selectable phantom power the unit is capable of powering condenser microphones requiring +48 v, +12 v and +12 v t phantom power phantom power is individually switched for every channel High pass filters a three position high pass filter switch is available on every input and is used to reduce excessive low frequencies at 12 d b per octave at 80 hz or 160 hz center position is off

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

Gemini PMX-1100 19" Full Size Stereo Preamp DJ Mixer FEATURES: •4 Stereo Channels •State of the Art Cue Section •3 Phono/Line Convertible, 4 Line, and 2 Mic Inputs •Talkover •Master and Record outputs •Master Treble and Bass Controls SPECIFICATIONS: INPUTS:MIC 1 - 1.5mV 2kOhm balanced MIC 2 - 1.5mV 2KOhm balanced Phono @ 1kHz - 2mV 47kOhm Line - 100 mV 27kOhm OUTPUTS: Amp/Booth - 0 dB 1V 400OhmRec - 225mV 5kOhm GENERAL: Bass ± 12d BTreble - ± 12dB Frequency Response - 20Hz - 20KHz +/- 2dB Distortion - less than 0.02%S/N Ratio - better than 80d BTalkover Attenuation -16dBPower Source: - Adapter-115V/15V AC 0.5A or 230V/15V AC 0.5A

• 8 Mono Mic/Line Channels (XLR, ¼” Jack - Balanced)_x000D_• 2 Stereo Line Channels (Unbalanced 1/4" Jack)_x000D_• Low (80Hz), Mid (2.5KHz)_x000D_- Hi (15KHz) EQ pots (/-15 dB)_x000D_• Gain, EFX Send, Aux Send, Pan and Level Pots_x000D_• 16 Digital EFX Processor_x000D_• MP3-USB Media Player with Record Function_x000D_• Unbalanced 1/4" Jack OutputsBRAND NEW FULL 12 MONTH WARRANTYFREE DELIVERY NATIONWIDET&C's Applyhttps://www.nxtleveltech.co.za/BEST PRICE ON NEW GEAR Stock ID: Hybrid ML1202DUSBX 10-Channel Analog Mixer

• 4 Mono Mic/Line Channels (XLR, ¼” Jack - Balanced)_x000D_• 2 Stereo Line Channels (Unbalanced 1/4" Jack)_x000D_• Low (80Hz), Mid (2.5KHz)_x000D_- Hi (15KHz) EQ pots (/-15 dB)_x000D_• Gain, EFX Send, Aux Send, Pan and Level Pots_x000D_• 16 Digital EFX Processor_x000D_• MP3-USB Media Player with Record Function_x000D_• Unbalanced 1/4" Jack OutputsBRAND NEW FULL 12 MONTH WARRANTYFREE DELIVERY NATIONWIDET&C's Applyhttps://www.nxtleveltech.co.za/BEST PRICE ON NEW GEAR Stock ID: Hybrid ML802DUSBX 6-Channel Analog Mixer

The WK-400 is a simple digital piano designed for Piano classrooms and piano hobbyists. It’s one of the best possible choices you can go in its price range. The WK-400 comes with all the necessary functions and features an average digital piano could have. Alternative tones, Recording, Metronome function, Classical demo songs, dual-keyboard, on-board effects… Keyboard88 keys scaled hammer action keyboardDynamic curvesLight, Standard, Heavy, On/OffKeyboard ModesWhole, Dual(volume balance adjustable), Split(split point adjustable), Twin PianoPedalsSoft Pedal(Left), Damper Pedal(Middle), Sustain Pedal(Right)SOUND GENERATORTones128Keyboard Percussion1 setSongs52Max. Polyphony64×2Key Transposition-12～+12(in semitones)EffectsReverb(On/Off), Chorus(On/Off)METRONOMETempo20～280bpmBeat0～6RECORDING FUNCTIONTrackOneNote StorageApprox. 4,8000 notesOTHERDisplayLED Three Digital Numeric DisplayExteriorBrown wooden PVC finished, upright styleJacksUSB-MIDI Jack, Pedal Jack, Power Jack, Headphone Jack(6.35mm), Line In R/L Jack(RCA), Line Out R/L Jack(RCA)PowerDC 12V, 2A, positive tipWeight39kgDimensions1360(L)x320(W)x770(H)mm