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What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 7 - 12 working days Run time: 90 min. Intra-day Trading with Market Internals Part I and II are videos that the intra-day trader should not be without. In these videos, you will learn the all the internals needed and how to interpret them to successfully know what the current market environment bias is and in turn guide you to what yours should be. Most traders base their bias on their hopes and wishes for price direction, which is a common reason for failure. In this video you will learn how to determine what sectors to focus on to find the stocks that are being accumulated that day. You will learn to use this information for Relative Strength and Weakness Analysis to zero in on the best stocks to trade. Of course, this does not occur throughout the trading day without pause, so it is essential to know what times of day the reversals are most like to occur based on prior history. All this is and more is covered in these two videos. Features Summary Run time: 90 min. Intra-day Trading with Market Internals Part I and II are videos that the intra-day trader should not be without. In these videos, you will learn the all the internals needed and how to interpret them to successfully know what the current market environment bias is and in turn guide you to what yours should be... Studio Marketplace Books Release date 20071010 ISBN 1-59280-322-9 ISBN 13 978-1-59280-322-4 Contributors Greg Capra

Brand: Legere Manufacturer Part: BBCB2.75 Made from special polymer with a very fine microtexture Lasts for months Strength: 2.75 Readily available and widely played this classic reed is played by even the most discriminating player. Producing a rich warm sound, this reed has outstanding playability for Novice to Pro. Features: Has the properties of moist cane. Does not have to be. Preconditioned before playing. Completely Non-Toxic. Available in 1/4 Strengths 2.0 & 5.0. No Risk, 30 day Exchange Policy.

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These are exceptional speakers, in mint condition, at a fraction of their new price. Review from SoundstageAccess: “The Polk LSiM705 is a very good loudspeaker that, at $2999.90/pair, is also a high-value bargain, especially in terms of craftsmanship, build quality, and pleasing visual design. I found it also to be, more often than not, a very good-sounding speaker that could conceivably benefit from more power and/or biamping, which I was unable to provide. The LSiM705 should be auditioned either in a stereo pair or as part of one of Polk’s home-theater systems. Not only is it not a starter speaker — the LSiM705 might be a final destination for the audiophile seeking a neutral-sounding floorstander of modest size whose looks match its fine sound.” b'/xc2/xa0' Specs: Qty Included: 1 Availability: US Height: 47″ (119.38 cm) Width without Base: 8.31″ (21.11 cm) Depth without Base: 14.38″ (36.53 cm) Weight: 78 lbs (35.38 kg) Width with Base: 9.25″ (23.5 cm) Depth with Base: 16.25″ (41.28 cm) Driver Enclosure Type: Sealed Driver Complement: • (1) 3.25″ (8.26 cm) d (Round) Super Cell Aerated Polypropylene – Mid/Woofer • (2) 5″ (12.7 cm) d (Round) Super Cell Aerated Polypropylene – Midrange • (2) 7″ (17.78 cm) h x 5″ (12.7 cm) w (Oval) Cassini oval, Super Cell Aerated Polypropylene – Subwoofer • (1) 1″ (2.54 cm) d (Round) Enhanced Ring Radiator – Tweeter Enclosure Type: Mid-High Array Enclosure Type: Sealed Enclosure Type: Subwoofer Enclosure Type: Dual PowerPort bass venting Total Frequency Response: 22 Hz → 40,000 Hz Lower and Upper -3dB Limits: 42 Hz → 30,000 Hz Type: Orth Crossover Design Midrange/Woofer Crossover Frequency: 100 Hz Tweeter/Midrange Crossover Frequency: 2800 Hz A V Receiver Crossover Settings: (40 Hz) Recommended Amplifier Power Per Channel: 20 watts → 250 watts

Washburn Lyon Series electric guitar – a great choice for aspiring rockstars stepping into the world of electric guitars. With its sleek black finish, this guitar not only looks the part but also delivers a punchy sound and comfortable playability, perfect for beginners finding their groove. Though it's been around since 2005, this guitar wears its journey proudly, displaying a few scratches and some discolouration that only adds to its character. But rest assured, every chord and riff still rings true with flawless precision. Originally sourced from the esteemed The Music Box on Westbourne Road in 2006, it's been a reliable companion ever since. Need it restrung? Just say the word. Prefer to keep it as is? That's perfectly fine too. And for added convenience, payments in BTC or USDC are preferred, ensuring a hassle-free transaction. *Delivery on your own account

Martial arts superstar tony jaa returns with the third instalment of the acclaimed action series, ong bak iii at the end of the bone-crunching ong bak ii, tony jaas righteous warrior tien was trapped in the middle of a swarm of rival warriors and dragged away to his apparent death. ong bak iii picks up from this bleak premise to see tien beaten and brutalised by his raging opponents. however, saved from execution, tien is instead nursed back to health by a group of villagers which leads to a journey of spiritual and physical healing. this process is short-lived when the deadly crow demon, a warrior tien has encountered before, reappears and enslaves the villagers as part of his plan to take the kingdoms throne by any means necessary. with his saviours facing certain death, tien is forced into an epic confrontation packed with jaas signature fighting style and even more breath-taking stunts.