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Buy OCTAL BUFFER/LINE DRIVER WITH 3-STATE OUTPUTS MC74ACT54N for R24.58

Concerto Features Two pairs XLR input connectors for balanced system configurations. Three pairs RCA input connectors for unbalanced system configurations. Two pairs of parallel, high-current, balanced line level preamplifier outputs to allow driving of external amplifiers, subwoofers, zones, etc. Fully-balanced transformer-coupled inputs provide universal compatibility with other components and eliminate ground loop noise and EMI. Fully-balanced circuit topology implemented on all inputs and outputs. Bypass function allows for transparent use in combination audio/home theater systems. Regulated, high-current, linear power supply provides stable operating voltage with the lowest possible noise and distortion artifacts under all operating and line conditions. Low power consumption permits constant power-up operation to eliminate warm-up time. Optical encoder type volume control maintains quiet, trouble-free performance and accuracy over the entire lifetime of the product. Dual range volume control allows large volume level changes when knob is rotated abruptly, yet allows small, precise volume level changes when knob is rotated slowly. Six function, hand-held infrared remote transmitter. Ultra-low resonance, structurally rigid chassis, precision-machined from a solid block of aircraft grade 6061-T6 aluminum. Optional plug-in phono cards (installed internally) convert Line Input 2 to high performance phono inputs. Three gain and loading options can accommodate moving magnet (MM), moving coil (MC) cartridge types and high output moving coil cartridge types. Concerto Specifications Overall Gain 20 dB Gain Range 99.5 dB, 199 Equal Increments Gain Resolution 0.5 dB, +/- 0.03 dB Over Entire Range Frequency Response 10 Hz – 280 kHz, -3 dB Maximum Input Level 15 volts RMS @ 0 dB Gain Maximum Output Level 13.5 volts RMS CCIF Intermodulation Distortion, 19/20 kHz b' Output Noise Level 43 Microvolts, Unweighted 20 Hz – 20 kHz Bandwidth, 0 dB Gain Common Mode Rejection Ratio b'>' 90 dB, 20 Hz – 20 kHz Input Impedance 40K ohms Balanced or Unbalanced Channel Separation b'>' 90 dB, 20 Hz – 20 kHz Inputs 2 pair Balanced (XLR) 1 pair Unbalanced (RCA) Unity Gain (Bypass) 3 pair Unbalanced (RCA) Outputs 2 pair Balanced (XLR) Line Level Power Consumption 7 watts Preamplifier Weight 21 lbs. / 9.8 kg Overall Preamplifier Dimensions (H) x (W) x (D) 3.2” x 17.3” x 12.9” 80mm x 440mm x 328mm

• iPad*/Android* tablet controlled 12-input digital mixer for studio and live application. • 4 award-winning Midas-designed, fully programmable mic preamps for audiophile sound quality. • Built-In Tri-Mode Wifi router for direct operation-no need for external routers. • Revolutionary Dugan*-style Auto-Mixing automatically manages microphone gain sharing. • USB connector for uncompressed stereo WAV recording and playback. • Award-winning X32 effects rack featuring 4 stereo FX slots including high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc. • 100-band Real Time Analyzer (RTA) for all channel and bus EQ's. • Rack ears and protection bumpers included for flexible rack and onstage applications. • 6 aux buses and main LR with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ. • 2 TRS aux outputs and 2 XLR main outputs plus phones connector. • 40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latency. • Free iOS, Android and PC/Mac*/Linux* apps available for remote operation via Ethernet, LAN or WiFi. • MIDI In/Out allows controlling the mixer via MIDI equipment (incl. Mackie Control* protocol). • Future firmware updates, incl. new FX "Plug Ins", downloadable from behringer.com free of charge. • Internal switch-mode power supply for noise-free audio and low power consumption.

PRODUCT FEATURES. • iPad*/Android* tablet controlled 12-input digital mixer for studio and live application. • 4 award-winning Midas-designed, fully programmable mic preamps for audiophile sound quality. • Built-In Tri-Mode Wifi router for direct operation-no need for external routers. • Revolutionary Dugan*-style Auto-Mixing automatically manages microphone gain sharing. • USB connector for uncompressed stereo WAV recording and playback. • Award-winning X32 effects rack featuring 4 stereo FX slots including high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc. • 100-band Real Time Analyzer (RTA) for all channel and bus EQ's. • Rack ears and protection bumpers included for flexible rack and onstage applications. • 6 aux buses and main LR with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ. • 2 TRS aux outputs and 2 XLR main outputs plus phones connector. • 40-Bit floating-point DSP features "unlimited" dynamic range with no internal overload and near-zero overall latency. • Free iOS, Android and PC/Mac*/Linux* apps available for remote operation via Ethernet, LAN or WiFi. • MIDI In/Out allows controlling the mixer via MIDI equipment (incl. Mackie Control* protocol). • Future firmware updates, incl. new FX "Plug Ins", downloadable from behringer.com free of charge. • Internal switch-mode power supply for noise-free audio and low power consumption.

Hybrid ML1260PDUX Powered Mixer With USB New, Not even use once. Still in a box 0724439034 / Whatapp Features: - 8 Mono Mic / Line Channels XLR, 1/4? ? Jack ? Balanced - Mic Input Impedance / 2K? - Line Input Impedance / 47K? - Low Cut Switch - Gain Potentiometer - Compressor Potentiometer - Individual Low & Hi EQ Potentiometer/ -15/+15 dB - Effects Send Potentiometer - Aux Potentiometer - Pan Potentiometer - Level Potentiometer - Inbuilt Power Amplifier - 2 x 300W RMS @ 4? / 1/4? Jack Outputs - Unbalanced 1/4? Jack Outputs Left & Right /75? - Unbalanced 1/4? Jack Control room Outputs Left & Right /75? - RCA Record Output Left & Right / 1K? - Stereo Unbalanced Aux Return / 1/4? Jack Left & Right / 10k? - Aux Send 1/4? / 75? - 2TK Play / Unbalanced RCA Left & Right / 10K? - Inbuilt PSU - 16 DSP Effects Processor - Effect repeat Potentiometer - Effect Level Potentiometer - Aux Send & Return Potentiometer - 2TK Play / MP3-USB Level Potentiometer, Switchable - MP3-USB Media Player - Master Level Potentiometer - 48V Phantom Power Switch - 8 Bar LED Master Level Indicators Specifications: - Weight: 5 kg - Dimensions: 50 x 40 x 20 cm What's in the box 1 x Mixer

The ultra-compact XB-10 is perfect for small radio or internet broadcast studios, college and university radio stations, podcasting, content creation and more. Despite its tiny footprint, XB-10 is packed with the kinds of specialised broadcast features that normally come at a much higher price. Radio-friendly tools include a telephone communication (telco) channel, mic channel ON switch sensing, stereo channel start/cue outputs for CD deck transport control and automatic muting of speaker outputs. A separate monitor mix can be created for operator and guest or presenter, and the operator can speak off-air to the studio or telephone callers using the 'Talk' feature. XB-10's preamps use low noise discrete transistor circuitry to achieve high gain and excellent linearity. Each mic channel comes equipped with our innovative CompACT compressor to keep the dynamic range of a presenter microphone under control. A variable limiter on the main output ensures that the final mix to air does not saturate expensive broadcast equipment. The plug-n-play USB connection can be used for VoIP telephone calls, recording program material, playing jingles and more. XB-10 FEATURES USB XB-10 comes with a full duplex USB soundcard built-in and many useful routing options for recording and broadcast applications. MUSIQ XB-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ with optimised slope for a variety of sources. OUTPUT LIMITER A variable limiter ensures the level does not exceed a pre-defined level. Back panel option switches allow the limiter to be bypassed. A trim pot is used to vary the threshold and an LED on the front panel indicates when the limiter has triggered. COMPACT COMPRESSOR XB-10 features our ComPACT compressor on each of its mic channels. CompACT (Adaptive Compression Technology) is a program-dependent audio leveller. Unlike other compressors, which are effective only at reducing loud sounds, CompACT combines both downward and upward compression with peak limiting. Low level signals are given a gain boost, mid level signals are mildly compressed with a soft knee response, and high level signals are limited. FEATURE SUMMARY 3 mic/line and 3 stereo inputs Telco channel with optional USB routing for VoIP CompACT compressors on mic channels ON switch logic on mic and telco channels Start/cue logic outputs on stereo channels Separate headphones mix and outputs Auto mutes on control room outputs Remote mute facility on mic channels Responsive 3-band, swept mid EQ with MusiQ Configurable USB stereo audio in/out XLR main outputs with inserts and variable limiter Aux / Alt bus for external processing, recording or auditioning

EXpedition XP510i  - 500-Watt Portable PA Packs up into a single portable unit that weighs just over 20kg Built-in iPod dock Dual 2-way speaker enclosures with 10" woofers - 1" high frequency drivers - Lightweight, Class D amplifier produces 500 watts (2 x 250) of stereo power - Removable 10-channel mixer - Four Mic/Line inputs (XLR and 1/4" jacks) for microphone, guitar and line level devices - Three 1⁄4" and 1/8" stereo inputs for stereo line level devices (MP3 players, keyboards, etc.) - Phantom power - Bass and Treble controls - Two 1/4" Monitor outputs allows connection to external powered monitors - RCA outputs for external recorders - Internal digital effects processor - Music/Speech switch for setting overall system EQ - 6-segment level meter with limit indicator - Integrated 1 3/8" speaker stand mount - Enclosures tilt back for use as floor monitors - Speaker cables included Super light and super portable. This is a great PA for anyone performing live! Price slightly negotiable. Selling because i am scaling down and hardly ever use it anymore. No silly offers please.

Gemini PMX-1100 19" Full Size Stereo Preamp DJ Mixer FEATURES: •4 Stereo Channels •State of the Art Cue Section •3 Phono/Line Convertible, 4 Line, and 2 Mic Inputs •Talkover •Master and Record outputs •Master Treble and Bass Controls SPECIFICATIONS: INPUTS:MIC 1 - 1.5mV 2kOhm balanced MIC 2 - 1.5mV 2KOhm balanced Phono @ 1kHz - 2mV 47kOhm Line - 100 mV 27kOhm OUTPUTS: Amp/Booth - 0 dB 1V 400OhmRec - 225mV 5kOhm GENERAL: Bass ± 12d BTreble - ± 12dB Frequency Response - 20Hz - 20KHz +/- 2dB Distortion - less than 0.02%S/N Ratio - better than 80d BTalkover Attenuation -16dBPower Source: - Adapter-115V/15V AC 0.5A or 230V/15V AC 0.5A

LIKE NEW Sound devices 302 Highlights mic or line level inputs and outputs 3 x microphone preamps l e d displays +48 v, +12 v and +12 v t phantom power channels 1 and 2 are stereo linkable high pass filter switches powered by 3 a a batteries includes x l 14 headphone extension cable 4 x adhesive rubber bumpers 4 x color dot stickers Features the 302 portable compact production field mixer from sound devices is a compact, battery powered professional audio mixer with three mic preamps and balanced transformers designed to handle very low frequencies it can be used to interface with wireless transmitters and receivers, camera audio inputs, or external audio recorders in e n g (electronic news gathering), e f p (electronic field production), and broadcast t v applications with a complete feature set like the super bright l e d display, internal limiter, and high pass filter, the 302 can accommodate nearly any over the shoulder production and perform reliably in just about any indoor outdoor field condition controls on the 302 mixer are accessible on its three main surfaces, and the mixer is powered by three internal a a batteries or an external 5 to 18 v d c adapter (sold separately) this mixer is a suitable tool for production companies and camera operators wanting to take control of their audio in addition, an x l 14 headphone extension cable, four adhesive rubber bumpers, four color dot stickers, and a setup menu reference card are also included 3 transformer balanced inputs the compact mixer features 3 transformer balanced microphone or line level switchable inputs via x l r female 3 pin connectors Flexible monitoring the 302's headphone monitor out is capable of varying output impedance between 8 to 2000 ohms the monitor source is capable of individual channel, mono, stereo, m s to stereo monitoring, and more Input and output limiting each input and stereo outputs provide limiting that prevents signal overload, eliminating noise and distortion polarity (phase) reverse switch channels 1 b'&' 2 are stereo linkable and channel 2 features a polarity (phase) reverse switch this makes the 302 ideal for decoding m s stereo captured audio signal Selectable phantom power the unit is capable of powering condenser microphones requiring +48 v, +12 v and +12 v t phantom power phantom power is individually switched for every channel High pass filters a three position high pass filter switch is available on every input and is used to reduce excessive low frequencies at 12 d b per octave at 80 hz or 160 hz center position is off

The AIM AIM 50″ FULL HD LED TV is the perfect entertainment TV with its screen size. It also has multiple USB and HDMI ports. The AIM 50″ FULL HD LED TV can be wall mounted. Description: AIM 50″ FHD LED TV Width: 43.6″ (1107mm) Height: 24.5″ (622mm) Area: 1068in² (0.689m²) Add to OD size width (cm) x 2: 12 Add to OD size height (cm) x 2: 20 Refresh Rate: 60Hz (1920 x 1080) Inputs & Outputs: HDMI3, RF, Y, Pb, Pr, CVBS, LR, USB1, USB2, Earphones, RF, PC Audio In, COAX, HDM1/ ARC, HDMI2/ARC Retail Price R4999.00

Sampling Rate - 48 kHz Width - 218 mm Height - 107 mm Depth - 301 mm Weight - 3.2 kg A/D Converter - 24 bit S/N Ratio Line - 91 dB S/N Ratio Phono - 86 dB S/N Ratio Mic - 80 dB Crosstalk Line - 78 dB Distortion - Master Level Meter Size - 7 segment Channels - EQ/ISO 3 band EQ/ISO Range -8 ~ 9 dB Level Meter Type Individual Level Meter Size 7 segment Performance Control Channels - 2 Sound Color FX - Crush - Filter - Gate - Jet Effect/Sampler 3-Band Isolator - Yes Effect Level & Depth Volume Mic Mic Connection Jack Mic EQ 2 band Mic EQ Range -8 ~ 0 dB Terminals Inputs 1 MIC (1/4 inch Jack) 2 CD/LINE (RCA) 2 PHONO (RCA) USB 1 USB A port Outputs 1 HEADPHONE MONITOR (1/4 inch Jack) 2 CONTROL (Mini-jack) 2 MASTER (RCA)

ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. - 4 mic/line inputs, 2 with Class A FET high impedance inputs - Neutrik mic XLR - Neutrik 1/4 inch jacks - 3 band EQ with MusiQ - 2 auxes - Sound image pan - Illuminated PFL indicator - Stereo returns & playback - All inputs with level control - 12 bar meters - Responsive 3-band, swept mid EQ with MusiQ - 2 stereo sources with MP3 player compatibility - Separate 2-track record outputs - Stereo playback input for 2-track replay - XLR main stereo outputs with inserts - Comprehensive monitoring - Configurable USB stereo audio in/out - Stereo monitor outs - 48V microphone phantom power - DI level switching for sub mixing LOCATE & VISIT US AT SHOP 15A CAXTON HOUSE GROUND FLOOR 35 TERMINUS STREET, EAST LONDON CBD CALL: 043 722 1621 WHATSAPP: 081 478 2104

Save up on Pioneer DJ DJM-S11 & Pioneer DJM-S9 DJ Mixer Soundmax is the retailer of choice for all your DJ equipment, pro audio, keyboards and pianos - Available online at great prices on soundmax .co .za Pioneer DJ DJM-S11 Professional Scratch Style 2ch DJ Mixer - R25999 Raise Your Game With The Pioneer DJ DJM-S11 Professional Scratch Style 2ch DJ Mixer This new professional 2-channel, 4-deck control battle mixer enhances various elements from its predecessor, the DJM-S9, and offers a host of brand-new features to help you perform more freely with DJ Pro or rekordbox. Pioneer DJM-S9 Professional 2-Channel Battle Mixer For Serato DJ - R15999 The black Pioneer DJ DJM-S9 is a professional 2-channel battle mixer for Serato DJ and is well suited for DJing in clubs, concerts, music studios, and live events. The mixer is especially useful for DJs who play Serato because it includes two internal 24-bit/48 kHz Serato-certified USB soundcards. Each input channel includes stereo RCA for both CD/Line as well as RCA phono inputs for turntables with ground. For outputs, the unit features stereo balanced XLR and unbalanced RCA connections, as well as stereo 1/4″ TRS booth outputs. For inquiries we are at your disposal: info @soundmax .co .za

Save up on Pioneer DJ DJM-S11 & Pioneer DJM-S9 DJ Mixer Soundmax is the retailer of choice for all your DJ equipment, pro audio, keyboards and pianos - Available online at great prices on soundmax .co .za Pioneer DJ DJM-S11 Professional Scratch Style 2ch DJ Mixer - R25999 Raise Your Game With The Pioneer DJ DJM-S11 Professional Scratch Style 2ch DJ Mixer This new professional 2-channel, 4-deck control battle mixer enhances various elements from its predecessor, the DJM-S9, and offers a host of brand-new features to help you perform more freely with DJ Pro or rekordbox. Pioneer DJM-S9 Professional 2-Channel Battle Mixer For Serato DJ - R15999 The black Pioneer DJ DJM-S9 is a professional 2-channel battle mixer for Serato DJ and is well suited for DJing in clubs, concerts, music studios, and live events. The mixer is especially useful for DJs who play Serato because it includes two internal 24-bit/48 kHz Serato-certified USB soundcards. Each input channel includes stereo RCA for both CD/Line as well as RCA phono inputs for turntables with ground. For outputs, the unit features stereo balanced XLR and unbalanced RCA connections, as well as stereo 1/4″ TRS booth outputs. For inquiries we are at your disposal: info @soundmax .co .za

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.