Outputs balanced

In good condition. b'/xc2/xa0' Inputs USB x 1 Coax x 1 Optical x 1 b'/xc2/xa0' Outputs Balanced and RCA

Concerto Features Two pairs XLR input connectors for balanced system configurations. Three pairs RCA input connectors for unbalanced system configurations. Two pairs of parallel, high-current, balanced line level preamplifier outputs to allow driving of external amplifiers, subwoofers, zones, etc. Fully-balanced transformer-coupled inputs provide universal compatibility with other components and eliminate ground loop noise and EMI. Fully-balanced circuit topology implemented on all inputs and outputs. Bypass function allows for transparent use in combination audio/home theater systems. Regulated, high-current, linear power supply provides stable operating voltage with the lowest possible noise and distortion artifacts under all operating and line conditions. Low power consumption permits constant power-up operation to eliminate warm-up time. Optical encoder type volume control maintains quiet, trouble-free performance and accuracy over the entire lifetime of the product. Dual range volume control allows large volume level changes when knob is rotated abruptly, yet allows small, precise volume level changes when knob is rotated slowly. Six function, hand-held infrared remote transmitter. Ultra-low resonance, structurally rigid chassis, precision-machined from a solid block of aircraft grade 6061-T6 aluminum. Optional plug-in phono cards (installed internally) convert Line Input 2 to high performance phono inputs. Three gain and loading options can accommodate moving magnet (MM), moving coil (MC) cartridge types and high output moving coil cartridge types. Concerto Specifications Overall Gain 20 dB Gain Range 99.5 dB, 199 Equal Increments Gain Resolution 0.5 dB, +/- 0.03 dB Over Entire Range Frequency Response 10 Hz – 280 kHz, -3 dB Maximum Input Level 15 volts RMS @ 0 dB Gain Maximum Output Level 13.5 volts RMS CCIF Intermodulation Distortion, 19/20 kHz b' Output Noise Level 43 Microvolts, Unweighted 20 Hz – 20 kHz Bandwidth, 0 dB Gain Common Mode Rejection Ratio b'>' 90 dB, 20 Hz – 20 kHz Input Impedance 40K ohms Balanced or Unbalanced Channel Separation b'>' 90 dB, 20 Hz – 20 kHz Inputs 2 pair Balanced (XLR) 1 pair Unbalanced (RCA) Unity Gain (Bypass) 3 pair Unbalanced (RCA) Outputs 2 pair Balanced (XLR) Line Level Power Consumption 7 watts Preamplifier Weight 21 lbs. / 9.8 kg Overall Preamplifier Dimensions (H) x (W) x (D) 3.2” x 17.3” x 12.9” 80mm x 440mm x 328mm

Concentrate on your music, not a confusing mixer interface. The Behringer X32 digital mixer packs everything you need to easily mix and record a live show into a compact, roadworthy chassis. With its amazing-sounding Midas-designed mic preamps, the Behringer X32 is also great for the studio. Powerful and intuitive, the Behringer X32 sports 40 processing channels and 16 mix buses, giving you the flexibility you’ve always longed for. It comes equipped for 32-channel recording, with instant compatibility with major DAWs. Its serious signal processing can be quickly configured for sessions of any size. If you’re tired of negotiating an endless sea of encoders and menus, then it’s time you tried a new approach to digital mixing: the Behringer X32. Behringer X32’s impressive I/O can tackle shows of any size The Behringer X32 digital mixer boasts an impressive number of inputs and outputs for its compact size. Fitted with 32 great-sounding gain-programmable mic preamps, six 1/4? TRS aux inputs, 16 balanced XLR outs, plus balanced Control Room outputs on both XLR and 1/4? TRS connectors, the Behringer X32 lets you do large shows without fear of running out of I/O. A single Cat 5 cable from front of house to the stage can handle up to 48 channels of audio and deliver all bus outputs, along with 16 separate monitor feeds for Behringer’s optional P16-M Personal Monitoring System. Great-sounding Midas-designed mic preamps For the design of Behringer X32’s gain-programmable preamps, Behringer utilized Midas and Klark Teknik’s expertise to develop studio-quality mic preamps that deliver enhanced dynamic range, superior common mode rejection, and vanishingly low harmonic distortion (THD). These preamps sound amazing! Behringer X32

LIKE NEW Sound devices 302 Highlights mic or line level inputs and outputs 3 x microphone preamps l e d displays +48 v, +12 v and +12 v t phantom power channels 1 and 2 are stereo linkable high pass filter switches powered by 3 a a batteries includes x l 14 headphone extension cable 4 x adhesive rubber bumpers 4 x color dot stickers Features the 302 portable compact production field mixer from sound devices is a compact, battery powered professional audio mixer with three mic preamps and balanced transformers designed to handle very low frequencies it can be used to interface with wireless transmitters and receivers, camera audio inputs, or external audio recorders in e n g (electronic news gathering), e f p (electronic field production), and broadcast t v applications with a complete feature set like the super bright l e d display, internal limiter, and high pass filter, the 302 can accommodate nearly any over the shoulder production and perform reliably in just about any indoor outdoor field condition controls on the 302 mixer are accessible on its three main surfaces, and the mixer is powered by three internal a a batteries or an external 5 to 18 v d c adapter (sold separately) this mixer is a suitable tool for production companies and camera operators wanting to take control of their audio in addition, an x l 14 headphone extension cable, four adhesive rubber bumpers, four color dot stickers, and a setup menu reference card are also included 3 transformer balanced inputs the compact mixer features 3 transformer balanced microphone or line level switchable inputs via x l r female 3 pin connectors Flexible monitoring the 302's headphone monitor out is capable of varying output impedance between 8 to 2000 ohms the monitor source is capable of individual channel, mono, stereo, m s to stereo monitoring, and more Input and output limiting each input and stereo outputs provide limiting that prevents signal overload, eliminating noise and distortion polarity (phase) reverse switch channels 1 b'&' 2 are stereo linkable and channel 2 features a polarity (phase) reverse switch this makes the 302 ideal for decoding m s stereo captured audio signal Selectable phantom power the unit is capable of powering condenser microphones requiring +48 v, +12 v and +12 v t phantom power phantom power is individually switched for every channel High pass filters a three position high pass filter switch is available on every input and is used to reduce excessive low frequencies at 12 d b per octave at 80 hz or 160 hz center position is off

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

Gemini PMX-1100 19" Full Size Stereo Preamp DJ Mixer FEATURES: •4 Stereo Channels •State of the Art Cue Section •3 Phono/Line Convertible, 4 Line, and 2 Mic Inputs •Talkover •Master and Record outputs •Master Treble and Bass Controls SPECIFICATIONS: INPUTS:MIC 1 - 1.5mV 2kOhm balanced MIC 2 - 1.5mV 2KOhm balanced Phono @ 1kHz - 2mV 47kOhm Line - 100 mV 27kOhm OUTPUTS: Amp/Booth - 0 dB 1V 400OhmRec - 225mV 5kOhm GENERAL: Bass ± 12d BTreble - ± 12dB Frequency Response - 20Hz - 20KHz +/- 2dB Distortion - less than 0.02%S/N Ratio - better than 80d BTalkover Attenuation -16dBPower Source: - Adapter-115V/15V AC 0.5A or 230V/15V AC 0.5A

Professional 12-Channel/2-Bus Mixer 7 XLR inputs with high- DNA™ mic preamps Dynamic compression (Channels 1-4) 3-band EQ plus 2 aux sends per channel 60mm faders with mute switch and LED meters USB audio connectivity with level control 100 Alesis DSP effects Balanced XLR, balanced/unbalanced 1/4” outputs 9-band graphic EQ for main or monitor outputs Headphone out with independent level control

Hybrid ML1260PDUX Powered Mixer With USB New, Not even use once. Still in a box 0724439034 / Whatapp Features: - 8 Mono Mic / Line Channels XLR, 1/4? ? Jack ? Balanced - Mic Input Impedance / 2K? - Line Input Impedance / 47K? - Low Cut Switch - Gain Potentiometer - Compressor Potentiometer - Individual Low & Hi EQ Potentiometer/ -15/+15 dB - Effects Send Potentiometer - Aux Potentiometer - Pan Potentiometer - Level Potentiometer - Inbuilt Power Amplifier - 2 x 300W RMS @ 4? / 1/4? Jack Outputs - Unbalanced 1/4? Jack Outputs Left & Right /75? - Unbalanced 1/4? Jack Control room Outputs Left & Right /75? - RCA Record Output Left & Right / 1K? - Stereo Unbalanced Aux Return / 1/4? Jack Left & Right / 10k? - Aux Send 1/4? / 75? - 2TK Play / Unbalanced RCA Left & Right / 10K? - Inbuilt PSU - 16 DSP Effects Processor - Effect repeat Potentiometer - Effect Level Potentiometer - Aux Send & Return Potentiometer - 2TK Play / MP3-USB Level Potentiometer, Switchable - MP3-USB Media Player - Master Level Potentiometer - 48V Phantom Power Switch - 8 Bar LED Master Level Indicators Specifications: - Weight: 5 kg - Dimensions: 50 x 40 x 20 cm What's in the box 1 x Mixer

Active Nearfield Monitor Woofer: 6.5 inch magnetically shielded polypropylene / ceramic membrane Tweeter: 1 inch silk dome Frequency range: 50 Hz - 30 kHz High frequency level: -6 dB / +6 dB variable at 10 kHz Low frequency level: -6 dB / +6 dB variable at 100 Hz Frequency separation: 3 kHz Low frequency - amplifier power: 60 W High frequency - amplifier power: 30 W Signal to noise ratio HF/LF: > 92 dB / 98 dB THD+N at rated power HF/LF: 0.06%/0.03% Inputs: XLR / jack - combo jack, RCA inputs, S/PDIF - inputs for digital signals Outputs: S/PDIF - jack for digital signal transmission Input selection: Analog or digital Channel selection: Left or Right (only at digital signal) Input impedance: 20 kOhm balanced, 10 kOhm unbalanced Input sensitivity: +4 dBu balanced, -10 dBV unbalanced Weight: 7.6 kg Dimensions: 260 x 229 x 328 mm Colour: Black

Very nice drumset for sale Hardly used Comes with Drum matt Drum sticks Drum chair Optional Drum speaker gemini gx 1201 for R1500 Specs: PLAYBACK Polyphony: 64 voices Memory: 128 MB, linear AUDIO AND TRIGGER I/O Audio inputs: stereo (2x RCA) Trigger inputs: 12x 1/4" TRS Hi-hat controller input: continuous compatible (1x 1/4") MIDI: In, Out (2x DIN MIDI) Audio outputs: stereo Main (2x 1/4" balanced), stereo Aux assignable (2x 1/4" balanced) Headphone output: stereo (1x 1/4" TRS) Computer: High-speed USB for MIDI and computer transfer (1x USB slave) SOUND SET AND SEQUENCES Preset sounds: 1,047 Preset sound type: 16-bit uncompressed samples Sequencer patterns: 75 preset, 25 user (all patterns can be overwritten) SOUND TYPES Basses: 55 Beatbox: 55 Beat/drum machine: 59 Chinas: 13 Crashes: 36 Hi-hats: 25 One-hits: 349 Kicks: 91 Percussion: 151 Rides: 28 SFX: 31 Snares: 85 Toms: 69 Kit Specifications: Weight: 66 lbs. Packaging dimensions: 22.4" (L) x 46.2" (W) x 12.6" (H) Assembled dimensions: 5' x 5' x 5'

Power 60 mW/Ch, 32 O Mic Input (balanced XLR) Headphone Output (1/4” [6.35 mm] TRS) Line Input (balanced 1/4 [6.35 mm] TRS) Frequency Response 20 Hz – 20 kHz (+0.1 dB) Frequency Response 20 Hz – 20 kHz (+0.1 dB) Frequency Response 20 Hz – 20 kHz (+0.1 dB) Frequency Response 20 Hz – 20 kHz (+0.1 dB) Instrument Input (unbalanced 1/4? [6.35 mm] TS) Main Outputs, L and R (impedance-balanced 1/4? [6.35 mm] TRS)

Save up on Pioneer DJ DJM-S11 & Pioneer DJM-S9 DJ Mixer Soundmax is the retailer of choice for all your DJ equipment, pro audio, keyboards and pianos - Available online at great prices on soundmax .co .za Pioneer DJ DJM-S11 Professional Scratch Style 2ch DJ Mixer - R25999 Raise Your Game With The Pioneer DJ DJM-S11 Professional Scratch Style 2ch DJ Mixer This new professional 2-channel, 4-deck control battle mixer enhances various elements from its predecessor, the DJM-S9, and offers a host of brand-new features to help you perform more freely with DJ Pro or rekordbox. Pioneer DJM-S9 Professional 2-Channel Battle Mixer For Serato DJ - R15999 The black Pioneer DJ DJM-S9 is a professional 2-channel battle mixer for Serato DJ and is well suited for DJing in clubs, concerts, music studios, and live events. The mixer is especially useful for DJs who play Serato because it includes two internal 24-bit/48 kHz Serato-certified USB soundcards. Each input channel includes stereo RCA for both CD/Line as well as RCA phono inputs for turntables with ground. For outputs, the unit features stereo balanced XLR and unbalanced RCA connections, as well as stereo 1/4″ TRS booth outputs. For inquiries we are at your disposal: info @soundmax .co .za

Save up on Pioneer DJ DJM-S11 & Pioneer DJM-S9 DJ Mixer Soundmax is the retailer of choice for all your DJ equipment, pro audio, keyboards and pianos - Available online at great prices on soundmax .co .za Pioneer DJ DJM-S11 Professional Scratch Style 2ch DJ Mixer - R25999 Raise Your Game With The Pioneer DJ DJM-S11 Professional Scratch Style 2ch DJ Mixer This new professional 2-channel, 4-deck control battle mixer enhances various elements from its predecessor, the DJM-S9, and offers a host of brand-new features to help you perform more freely with DJ Pro or rekordbox. Pioneer DJM-S9 Professional 2-Channel Battle Mixer For Serato DJ - R15999 The black Pioneer DJ DJM-S9 is a professional 2-channel battle mixer for Serato DJ and is well suited for DJing in clubs, concerts, music studios, and live events. The mixer is especially useful for DJs who play Serato because it includes two internal 24-bit/48 kHz Serato-certified USB soundcards. Each input channel includes stereo RCA for both CD/Line as well as RCA phono inputs for turntables with ground. For outputs, the unit features stereo balanced XLR and unbalanced RCA connections, as well as stereo 1/4″ TRS booth outputs. For inquiries we are at your disposal: info @soundmax .co .za

In very good condition. 50kg monster. Specifications Revel Performa B15 powered subwoofer in sealed cabinet of 1″-thick MDF Driver: 15″ Kevlar-pulp-and-alloy composite cone, 130oz magnet assembly, 4-layer voice coil with 3″ of peak-to-peak travel, cast aluminum frame Frequency response: 20-80Hz, +/-0.5dB; –3dB at 18Hz Inputs b'&' outputs: XLR (balanced), RCA (single-ended) Amplifier:1000W RMS Highpass filter: 30–80Hz, 12 or 24dB/octave Lowpass filter: 30–80Hz, 24 or 48dB/octave (defeatable) Phase: continuously variable, 0–180° Other: 3-band parametric equalizer, RCA and XLR pass-through outputs for looping to another B15 Weight: 105 lbs Dimensions: 20.2″ x 20.1″ x 19.6″ (WxHxD) Finishes: black ash; add $300 for natural cherry or maple Price: $2995. if add is up, it is available.

FOR SALE: Meridian ANALOGUE b'&' DIGITAL PREAMPLIFIER/ PROCESSOR Digital b'&' Analogue Inputs XLR (3) Balanced Outputs b'&' Multichannel RCA Outputs Comes with the newer version of remote control (Grey). This is an excellent pre-amp and superb price. I sold my sets of Meridian 5500 and 5000 Active speakers, using a Pathos Classic Remix, valve based, as a pre-amp, and this Meridian has been idling in it’s rack for a while now, a third Vivid Audio B1 is still hard to come by, to take my system to the next level. So time for it to find a new home. Shipping,insurance, etc, all transport related costs, for buyer’s account.

OVERVIEW Big Knob for two sets of monitors with three selectable sources. Mackie Big Knob Studio combines premium 192kHz/24-bit recording with the proven performance of the world's bestselling monitor controller. Capture world-class recordings via dual Onyx™ preamps and professional studio features like zero-latency overdubbing and built-in talkback for artist communication. Easily select from three sources, including USB playback from your DAW and switch between two pairs of studio monitors. Big Knob Studio ensures balanced listening levels, offering independent gain trim on all inputs and outputs. Two separate headphone outs are available, each with separate level control. Plus, there's even a handy front-panel input for your smartphone. Big Knob Studio is the ultimate compact studio solution. FEATURES Choose between 3 sources and 2 monitor pairs Classic Big Knob volume control Independent trim on all sources and monitor outs Mono, mute and dim functions Two boutique-quality Onyx mic preamps including phantom power High-resolution 192kHz / 24-bit recording and playback Cue mix allows controlled blending of direct inputs with other signals for zero-latency recording Choice of recording paths provide flexibility for applications like podcasting Comprehensive feature set for professional studios Flexible source connections including convenient 1/8" input for your smartphone Dual headphone outs with independent level control Built-in talkback mic for easy communication with artists 16-segment high-resolution input source metering Compatible with all major DAWs on both Mac and Windows Includes Tracktion recording software

AUX-bus mail channel output -One AUX output and backtrack -Built-in professional reverb -2-Bus electronic balanced display -Total harmonic distortion ≤0.1% -Frequency response: 20Hz to 20KHZ/ ±0.5dB -S/N ratio: ≥80dB -Max outputs: 4V/Max -Input/output impedance: Mic-2.4KOhms; Mono-11KOhms; Stereo: 100KOhms -Parametric EQ: Hi-12KHz; Low: 80Hz/ ±15dB

Top of the range preamplifier for the 9- series Rotel components. Has balanced inputs/outputs. A original good cosmetic & working condition. Price slightly negotiable.

Audiolab 8200CDQ for sale This unit is high-quality Compact Disc drive with pre-amplifier and built-in DAC. 3 x analogue inputs 2 x optical digital inputs 2 x coaxial digital inputs Balanced & single-ended outputs Sound quality is exceptional with build-quality to match. Just add power amplifier and speakers. Condition is mint (like new)

Boxed and excellent working condition Juli@ features highest quality 24-bit 192Khz ADC (114dB) and DAC (112dB) for the best quality audio. 2 analog input channels, 2 analog output channels 24-bit/192kHz AD converter with 114dB(a) dynamic range 24-bit/192kHz DA converter with 112dB(a) dynamic range swappable socket (Unbalanced RCA with -10dBv or Balanced TRS with +4dBu) coaxial S/PDIF digital input synchronisation to digital S/PDIF input signals optical S/PDIF digital output with automatic shutter (max. 96kHz specified) coaxial S/PDIF digital output (max. 192kHz) 1 MIDI input (16 channels) / 1 MIDI output (16 channels) support for DirectWIRE 3.0 4 inputs and 4 outputs can be used with 24bit/192kHz simultaneously (incl. MIDI I/O) - full duplex PCI card is compatible with 3.3V and 5V PCI slots independent monitoring control for analog and digital input signals and playback EWDM driver: MME, DirectSound, ASIO 2.0 and GSIF 2.0 support Windows 98SE/ME/XP/2000/Vista/7/8/8.1/10 compatible compatible with Mac OS X 10.1 and newer (Power Mac G4/G5)

STILL Available An exceptional DAC, with remote controlled analog volume, USB input, and single ended outputs (does not have the balanced option). From a sound perspective it is a league better than the cheap Chinese devices (and actually competes sound wise with some really high-end stuff). Brand-new condition, with original remote. https://www.tnt-audio.com/sorgenti/teddydac_e.html https://www.superbestaudiofriends.org/index.php?threads/teddypardo-teddydac-wolfson-masterpiece.8202/

Audiolab 8300CDQ Premium integrated CD player, DAC and Preamplifier. XLR digital AES-EBU and balanced analogue outputs. USB DAC (ESS Sabre 9018 S) up to 32bit/384khz resolution including DSD and MQA decoding b'&' rendering. Based on the highly acclaimed 8200CD. Outstanding quality product. Brand new factory sealed unit with full warranty/invoice.

Fantastic South African converter. Balanced + single-ended outputs. AES, Spdif + Toslink inputs. Can be controlled with an Apple Remote.

Lyngdorf Sdai 2175 Integrated Amp. 200w per channel 650kva power supply with switching output stage. Powerful and beautiful sounding. Balanced in and outputs.