Optical series

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Buy **Sigma DC 18-200mm Lens** 1:45-6.3 HSM/Optical Stabilizer...For Nikon D Series. Excellent Cond. for R1,650.00

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Volkano Turbulent Series 2.1 Soundbar*m* Bluetooth 70w Rms Sound Output Usb & Aux Inputs/optical Input - 1.5m Cable Include In The Box Song Shuffle & Repeat/3d Sound Mode

Volkano Turbulent Series 2.1 Soundbar*b* Bluetooth 70w Rms Sound Output Usb & Aux Inputs/optical Input - 1.5m Cable Include In The Box Song Shuffle & Repeat/3d Sound Mode

Volkano Turbulent Series 2.1 Soundbar*e* Bluetooth 70w Rms Sound Output Usb & Aux Inputs/optical Input - 1.5m Cable Include In The Box Song Shuffle & Repeat/3d Sound Mode

Network and Wireless Connectivity NFC Yes Wi-Fi 802.11b/g/n Image Sensor Type CCD Sensor Size 1/2.33″ (Approx. 7.73mm) Effective Pixel Approx 16.2 MP Lens Focal Length f = 4.5 ~ 157.5mm (35mm film equivalent: 25 ~ 875mm) F No. 3.0~5.9 Optical Zoom 35X Digital Zoom Still Image mode: 1.0X ~ 35.0X(optical) / 1.0X~2.0X(digital) Intelli-zoom: 2.0X Play mode: 1.0X ~ 14.4X (depends on image size) Display Type TFT LCD Size 3.0" (7.5 cm) Resolution 460,000 Image Stabilisation Type Optical IS Memory External Media SD (up to 2GB guaranteed), SDHC (up to 32GB guaranteed), SDXC (up to 64GB guaranteed) Internal approx. 21MB Physical specification Dimension (WxHxD) 124,5 x 86.5 x 92.00 mm Weight 464 g Battery Capacity 1030mAh Shutter Speed Smart Auto: 1/8 ~ 1/2,000 sec., Program: 1 ~ 1/2,000 sec., Night: 8 ~ 1/2,000 sec. Focusing AF-Assist Lamp Yes Type TTL Auto Focus (Center AF, Multi AF, Tracking AF, Face Detection AF, Selection AF) Range Normal: 80cm ~ Infinity (Wide), 150cm ~ infinity(Tele) *Macro: 10cm ~ 80cm (Wide), 150cm ~ 350cm (Tele) *Auto Macro: 1cm ~ infinity (Wide), 150cm ~ infinity (Tele) *Super Macro: 1cm (Wide) Drive Mode Mode Single, Continuous, AEB, Motion Capture Self-Timer Off, 2 sec., 10 sec., Double(10 sec., 2 sec.) Interface Digital Output Connector USB2.0 Audio Microphone: Mono / Internal Speaker: Mono Video Out NTSC, PAL, HDMI Exposure Control Program AE Metering System Multi, Spot, Center-weighted, Face Detection AE Compensation ±2EV (1/3EV steps) ISO Equivalent Auto, 80, 100, 200, 400, 800, 1600, 3200 Flash Mode Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash Off, Red-eye fix Range Wide: 80cm ~ 6m (ISO Auto), Tele: 1.5m ~ 3m (ISO Auto) Recharging Time Approx. 5 sec Edit Still Miniature, Vignetting, Fish Eye, Classic, Retro, Cross Filter Movie Miniature, Vignetting, Fish-eye, Classic, Retro, Palette Effect 1, 2, 3, 4 Still Mode 1) Smart Auto, 2).Program, 3) Smart, 4) Wi-Fi, 5) Panorama 6) Magic plus, 7) Set, 8) Movie Smart Beauty Face, Action Freeze, Sunset, Landscape, Silhouette, Fireworks, Night, Macro, Light Trace Image Size 16 M: 4,608 x 3,456 / 14 MP: 4,608 x 3,072 / 12 MW: 4,608 x 2,592 / 10 M: 3,648 x 2,736 / 8 M: 2,832 x 2,832 / 5 M: 2,592 x 1,944 / 3 M: 1,984 x 1,488 / 2 MW: 1920 x 1080 / 1 M: 1,024 x 768 Image Play Type Single image, Thumbnails, Advanced Slide Show, Movie Clip Date Imprinting Date&Time, Date, Off (user selectable) Video Image Size 1280×720, 640×480, 320×240, 240web Frame Rate 30fps Sound Voice recording: On/Off/Zoom Mute Format MP4 (Video: MPEG4, AVC/H.264, Audio: AAC) Software Application iLauncher inside System Requirement Macintosh Power Mac G3 or above / Mac OS 10.5 or above Windows PC with processor better than Intel Pentium4 3.2 GHz / AMD Athlon FX 2.6GHz or higher / Windows 7 / 8 / 250MB or more hard-disk capacity (over 1GB recommended)/ 512MB RAM (over 1GB recommended)/ nVIDIA Geforce 7600GT or above / ATI X1600 series or above/ 1024×768 pixels, 16-bit color display compatible monitor/ (1280×1024 pixels, 32-bit color display recommended)/ USB 2.0 Special Feature Speed Control Key Operating Environment Operating Temperature 0 - 40 °C Operating Humidity 5 - 85 %

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

Yamaha SWP116MMF Network Switch Yamaha SWP1-16MMF Dante Ready Switch With Visual Network Monitoring Yamaha SWP116MMF Network Switch with 12 EtherCON Ports/4xRJ45/1xOpt Yamaha SWP1-16MMF Features: etherCON Connectors: 4 front / 8 rear RJ45 Connectors: 4 rear opticalCON Connector: 1 front Optional optical module slot: 1 front The SWP1 simplifies switch configuration by having settings for QoS, IGMP Snooping and other parameters pre-configured optimal Dante performance. It is ideal for audio engineers who may be new to IP networking. The SWP1 Series allows a Dante optimized setup to be recalled by flipping a single DIP switch. No expertise or training is required. The SWP1 Series includes three VLAN presets that can be simply selected via a DIP switch. There’s also a USER mode that allows fully customized VLAN setup.

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Canon EOS 1000D (Ds126191) 70 to 300mm zoom lens, series. Excellent Condition,used few times -Both end caps included with a bag Sigma 70-300mm f/4-5.6 DG Macro Lens for Canon EOS 1000D IN EXCELLENT CONDITION Versatile enough for close-up and faraway subjects,(All-Purpose) use. the Canon F-mount 70-300mm f/4-5.6 DG Macro from Sigma is a telephoto zoom lens characterized by its unique ability to also handle macro applications with a 1:5 maximum magnification ratio. The optical design incorporates one Special Low Dispersion element, which helps to control chromatic aberrations and color fringing for high clarity and color accuracy. A multi-layer coating is also used to reduce ghosting and flare for improved contrast when working in bright and backlit conditions. Additionally, a nine-blade diaphragm contributes to a pleasing bokeh quality. Product Highlights *For Canon EOS Cameras *Zoom Telephoto *Maximum Magnification of 1:5 *9-Blade Diaphragm *Special Low Dispersion Glass Elements *Lightweight (18.7 oz) *Lens Hood Included The Sigma 70-300mm 4-5.6 DG Macro lens is the compact and economical choice for a telephoto zoom lens. Capable of macro photography, this lens has a 1:5 maximum close-up magnification at the 300 mm focal length. It is the ideal high performance lens for portraits, sports photography, nature photography, and other types of photography that frequently use the telephoto range. It also has a switch for changeover to macro photography at focal lengths between 200mm and 300mm with a maximum close-up magnification of 1:4. The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance whilst cutting down on ghosting caused by reflections from the digital image sensor. Macro photography with a 1:5 maximum close-up magnification at the 300mm focal length Switch for changeover to macro photography at focal lengths between 200 mm and 300 mm with a maximum close-up magnification from 1:2.9 to 1:2 SLD (Special Low Dispersion) glass element in this lens for excellent correction of chromatic aberration.