Metal low impedance

Buy 60Pcs High Frequency Low Impedance 25V 1000uF 10*13MM Aluminum Electrolytic Cap for R260.09

Buy 200Pcs High Frequency Low Impedance 25V 1000uF 10*13MM Aluminum Electrolytic Ca for R700.83

Buy 20Pcs High Frequency Low Impedance 25V 1000uF 10*13MM Aluminum Electrolytic Capacitor for R175.00

Buy Adjustable 2 Channel RCA Line Car Auto Speaker High to Low Impedance Converter Amplifier Adapter for R215.68

The Shure SM57 is one of the most popular professional instrument microphones of all time. The dynamic SM57 mic performs reliably delivering natural sound night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. The Shure SM57 boasts wide frequency response (40Hz-15kHz) and a tight cardioid polar pattern that are ideal for close-in speaker miking. FEATURES 2 mic with bag Frequency response: 40Hz to 15,000Hz Polar pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency Sensitivity (at 1,000Hz): Open circuit voltage: -56.0 dBV/Pa (1.6 mV) (Note: 1 Pa = 94dB SPL) Impedance: Rated impedance is 150ohms (310ohms actual) for connection to microphone inputs rated low impedance Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Connector: 3-pin professional audio connector (male XLR type) Dimensions: 1-1/4"W (top) x 6-3/18"L x 29/32" (bottom) Net weight (without cable): 284g

Amplify Am-3900-d4 Dual 4" Speaker *m* Extended Bluetooth Range Low Impedance Level. Wide Frequency Range Variable Playtime High-capacity Battery Colorful Rgb Lighting True Wireless Stereo (tws) Pairing

TAKSTAR CM60 CONDENSER INSTRUMENT MICROPHONE Gold-plated diaphragm Cardioid directivity characteristic for ideal sound capturing High sensitivity and low self noise Suitable for high SPL environments Wide frequency response range and extended dynamic range Transformerless circuitry for noise reduction Low output impedance for long distance connection and high EMI resistance Built-in pre-amplifier circuitry for steady performance Optional bass filter to eliminate unwanted low frequency noise  Specifications • Transducer Principle: True Condenser • Directivity Characteristic: Cardioid • Frequency Response: 30Hz-20kHz • Sensitivity: -38dB±2dB (0dB=1V/Pa at 1kHz) • Output Impedance: 100Ω±30% (at 1kHz) • Load Impedance: ≥1000Ω • Equivalent Noise Level: ≤20dB A (IEC 581-5) • Max. Input SPL: 130dB (THD ≤1.0 at 1kHz) • Bass Filter: 12dB/octave at 100Hz • Power Requirements: 48V DC Phantom Power • Body Dimensions: Ø22 x 132mm • Net Weight: 112g

Hybrid ML1260PDUX Powered Mixer With USB New, Not even use once. Still in a box 0724439034 / Whatapp Features: - 8 Mono Mic / Line Channels XLR, 1/4? ? Jack ? Balanced - Mic Input Impedance / 2K? - Line Input Impedance / 47K? - Low Cut Switch - Gain Potentiometer - Compressor Potentiometer - Individual Low & Hi EQ Potentiometer/ -15/+15 dB - Effects Send Potentiometer - Aux Potentiometer - Pan Potentiometer - Level Potentiometer - Inbuilt Power Amplifier - 2 x 300W RMS @ 4? / 1/4? Jack Outputs - Unbalanced 1/4? Jack Outputs Left & Right /75? - Unbalanced 1/4? Jack Control room Outputs Left & Right /75? - RCA Record Output Left & Right / 1K? - Stereo Unbalanced Aux Return / 1/4? Jack Left & Right / 10k? - Aux Send 1/4? / 75? - 2TK Play / Unbalanced RCA Left & Right / 10K? - Inbuilt PSU - 16 DSP Effects Processor - Effect repeat Potentiometer - Effect Level Potentiometer - Aux Send & Return Potentiometer - 2TK Play / MP3-USB Level Potentiometer, Switchable - MP3-USB Media Player - Master Level Potentiometer - 48V Phantom Power Switch - 8 Bar LED Master Level Indicators Specifications: - Weight: 5 kg - Dimensions: 50 x 40 x 20 cm What's in the box 1 x Mixer

Audiolab 8000M monoblock, in excellent condition. Pudo at buyers cost and risk. b'/xc2/xa0' Specifications: Outputs…………………………………….2 sets of 4mm banana plug/binding posts for biwiring Rated Output Power…………………….125 w/c @ 8 ohms, 200 w/c @ 4 ohms Typical Output Power…………………..145 w/c @ 8 ohms, 240 w/c @ 4 ohms Full Rated Power………………………..1.13 V rms (input) Input Impedance…………………………47k ohms nominal Gain………………………………………..29dB at 1kHz Signal-to-Noise…………………………..Greater than 96 dB (relative to 0 dBW) Frequency Response……………………0.1Hz to 75kHz (-3 dB) …………………..20Hz to 20kHz (+/- 0.3dB) Total Harmonic Distortion………………Less than 0.05% Dimensions(w x d x h)………………….44.5 x 33.5 x 7.5 cm per side Weight……………………………………..9kg per side Conservatively rated, it actually produced just over 170W/ch into 8 ohms across the audio band; it gave 22.26dbW at 1kHz, with a fine power bandwidth. There was ample peak current capacity and a 4 ohm load raised 245W per channel mid-band while with 2 ohms it almost doubled again to 512W 21.1dbW. Output impedance was very low, while the peak current capacity exceeded +/-25A. Distortion was extremely low, approaching 100dB down overall at full power (0.001%), even down to 0.0007%, for 1kHz. A fairly ‘sweet’ spread of harmonics was evident at a vanishingly small -112dB level. Hi-Fi News

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

The FBT X-LITE 15 series speakers feature lightweight, yet rugged gas injected molded polypropylene cabinet construction. Available in black finish the FBT X-LITE 15 series speakers modern cabinet appearance provides fixed installations with an elegant design that blends into any decor. The asymmetrical shape of the FBT X-LITE 15 cabinet also allows use as a floor stage monitor. The FBT X-LITE 15 is two way design incorporating an 15″ low frequency woofer and 1″ HF compression driver coupled to a 90°H x 60°V constant directivity horn. With a frequency range of 53Hz – 20kHz the FBT X-LITE 15 speakers provide high fidelity sound for both speech and music applications with a maximum SPL of 126dB. Ideal for medium-large fixed installations the FBT X-LITE 15 speaker have an impedance of 8 Ohm and the internal crossover is at a fixed frequency of 1,8kHz. The control panel features 2 x NL4 Neutrik speakon. 4 x M10 rigging points built into the cabinet along with the optional mounting brackets allow the FBT X-LITE 15 speaker to be surface mounted on walls or ceilings. Astandard 1,38″ speaker stand socket allows the FBTX-LITE 15 to be mounted on speaker stand. A front face steel grille protects the speaker from external damage Type: 2 way LF: 15'' - 2.5'' coil HF: 1'' / 1.4'' coil Frequency response: (@-6dB) 53Hz - 20KHz Power programm (Wrms) / Max(peak): 400/800W Impedance(Ohm): 8 Coverage (H x V): 90° x 60° rotatable Sensitivity(dB): 98 Max SPL (dB): 123 / 126 Recommended HP filter: HP 40Hz 12-24db/oct Crossover f (kHz): 1.8 Connections: 2 x SPEAKON Housing Polypropylene molded enclosure: Rigging Integrated handles, M10 rigging points for suspended installation, 35mm stand socket and monitor taper: Dimentions (mm): 433x706,5x400mm Weight (Kg): 17.5kg

NEW ITEM BLACK FRIDAY SPECIAL Edirol / Roland MA-1EX Specs System Power Rating 1.5 Watts Components 2 Speakers Frequency Response 100 Hz - 20 kHz Maximum Sound Pressure Level (SPL) Not Specified by Manufacturer Crossover Not Specified by Manufacturer Shielded Magnetically Shielded Controls Master Volume with Power Switch Ideal Application Notebook/Portable Speakers High Frequency Driver Diameter 2.375" (6 cm) Power Output 0.75 Watts per channel Nominal Sensitivity Not Specified by Manufacturer Nominal Impedance Not Specified by Manufacturer Low Frequency Driver Diameter None Power Output None Nominal Sensitivity None Nominal Impedance None Input/Output Connectors Phono (1/4") None RCA None Mini None Other 1x Optical SP/DIF Output Pass Through None Headphone Jack 3.5 Mini Output General Standards Specification FCC Class B, CE Enclosure Material Gray Plastic Electrical Requirements USB Powered 500 mA Current Draw Dimension (8.8 x 13 x 5.4 cm) Weight (0.5 kg)

Key Features Die-Cast Metal Body Cardioid Pickup Pattern 12AX7 Vacuum Tube Shock Mounted Capsule LF Roll Off Switch Suspension Mount, Windscreen, and Case Included Behringer T-47 Specs Capsule Condenser Diaphragm 0.63" / 16.0 mm Circuitry Tube Frequency Range 20 Hz to 20 kHz Maximum SPL 130 dB SPL Impedance 200 Ohms Load Impedance 1 Kilohms Sensitivity -40 dBV/Pa Dynamic Range 110 dB Weight 2.4 lb / 1.09 kg

Active Nearfield Monitor Woofer: 6.5 inch magnetically shielded polypropylene / ceramic membrane Tweeter: 1 inch silk dome Frequency range: 50 Hz - 30 kHz High frequency level: -6 dB / +6 dB variable at 10 kHz Low frequency level: -6 dB / +6 dB variable at 100 Hz Frequency separation: 3 kHz Low frequency - amplifier power: 60 W High frequency - amplifier power: 30 W Signal to noise ratio HF/LF: > 92 dB / 98 dB THD+N at rated power HF/LF: 0.06%/0.03% Inputs: XLR / jack - combo jack, RCA inputs, S/PDIF - inputs for digital signals Outputs: S/PDIF - jack for digital signal transmission Input selection: Analog or digital Channel selection: Left or Right (only at digital signal) Input impedance: 20 kOhm balanced, 10 kOhm unbalanced Input sensitivity: +4 dBu balanced, -10 dBV unbalanced Weight: 7.6 kg Dimensions: 260 x 229 x 328 mm Colour: Black

This power speakers are still like brand new no marks or scratches and used twice for monitors. i have 2off and the price is R3000 for each and have 2 off available with original covers,boxes and package. INPUT SENSITIVITY: MIC -40dBu / LINE 0dBu INPUT IMPEDANCE: Balanced 20k? / Unbalanced 10k? HUM AND NOISE: -90dB MAXIMUM INPUT LEVEL: +20dBu DIMENSIONS (HXWXD): 556mm x 384mm x 312mm / 21.88" x 15.11" x 12.28" EQUALIZATION: HIGH (±10dB) 10KHz Shelving, LOW (±5dB) 100Hz Shelving GROSS WEIGHT (KG / LBS): 15.5kg / 34.1lbs FINISH COLOUR: Black AMPLIFIER PROTECTION: Power switch on/off mute; DC detection; Overload & short-circuit detection; Thermal/Heat sink protection; Output mute/reset LOW FREQUENCY POWER: 250W RMS HIGH FREQUENCY POWER: 50W RMS MONITOR FILTER: A 90Hz HPF Filter for stage monitor use. REMOTE GAIN ATTENUATOR: 3 pin Euroblock connector for remote volume adjustment. POWER AMPLIFIER TYPE: Dual Class D modules (LF and HF).