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What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

Guitar Multi-Effect Floor Processor with USB Streaming. The RP360 is a complete 360° solution for your guitar effect needs. The RP360 guitar multi-effect processor has over 160 different effects (55 amps, 27 cabinets, 85 effects) inspired by world’s best-selling pedals and iconic amps. The RP360 puts a world of new and amazing guitar effects at your feet for you to explore. Along with the incredible selection of effects, the RP360 has a 40-second looper, nearly 200 presets, USB port, configurable footswitch modes, built-in tuner; dedicated headphone jack, Sound Check™ and 60 built in drum tracks. You can add up to 8 effects to each preset. The RP360 has a USB port for transferring and loading presets from your computer. With nearly 200 onboard presets and Nexus, DigiTech’s free preset editor and librarian software, you can create, transfer, and share an unlimited number of tones. The USB port also allows you to record your guitar tracks directly to your computer. The RP360 works with GarageBand, Pro Tools, Cubase, Ableton, and virtually every other recording software for Mac or PC. The RP360 is versatile with 3 different footswitch modes. Incorporate the RP360 into your existing pedalboard using stompbox mode where you can assign any effect in your preset to each footswitch. If you choose to use the RP360 by itself, easily navigate through your presets in preset mode or bank mode. Extend your control of the RP360 with a 3-button footswitch or expression pedal. The 3-button footswitch can be set-up to extend the control of the onboard looper or navigate through your banks and presets. Using an expression pedal you’ll engage real time control of an effect in your preset including the iconic Whammy® pedal. The RP360 includes a new feature exclusive to DigiTech called Sound Check. Sound Check allows you to quickly record a phrase with your guitar and set it to repeat while you dial in the perfect effects and settings. Sound Check saves you from having to continually bend over to make minor adjustments while dialing in your tone. With Sound Check you’ll spend less time tweaking and more time playing with the perfect tones. Note - Nexus Software does not work with Mac 10.15 Catalina. Specs Item# RP360V-01 General Specifications A/D/A Converter 24-bit high performance audio Sampling Frequency 44.1 kHz DSP Section AudioDNA2™ DSP Processor Simultaneous Effects 10 Preset Memory 99 User Presets/99 Factory Presets Phrase Looper 40 seconds of record time Drum Machine 60 Patterns USB Type B, supports USB 1.1 Full Speed (12 Mbps Bandwidth USB 2.0 compatible) Dimensions Length 7.5" Width 8.5" Height 2" Weight 2.84 lbs. Audio Output Left/Right Outputs 1/4˝ Unbalanced Left/Right Output Impedance 500 Ohms per side Maximum Output +8.5 dBu Headphone Output 1/8˝ Stereo (TRS) – 118 mW per channel @ 50 Ohms Optimized for use with headphones having an impedance of 60 Ohms or less Audio Input Guitar Input 1/4˝ Unbalanced (TS) Input Impedance 1 MOhm Maximum Input +10 dBu Aux Input 1/8˝ Stereo (TRS)

Keyboard: 61-Note, synth action with adjustable touch sensitive keys Keyboard Sensitivity: 3 selectable response levels Display: Multi-functional LCD Polyphony: 128 voice Preset Programs: 653 Expressive sounds User Presets: 48 “favorites”, providing quick access to customized panel selections General MIDI: Yes Splits/Layers: Yes Transpose: Full transposition to any key, +/- one octave Tune: Adjust by Cents (+/- 50 cents) Effects: EQ, Reverb, Chorus Auto-Accompaniment Styles: 240 pre-recorded interactive patterns in a variety of styles Recorder/Sequencer: 6-Track; 10 user Song capacity Sound System: 10W x 2 – 2-speaker stereo sound system Audio Outs: Stereo 1/4? line out (for connecting to external amplification) Audio In: Stereo 1/4? line in (for connecting external sound sources) Mic In: (1) 1/4? Hi-Z Input Headphone: (1) 1/4? stereo headphone out MIDI I/O: via USB USB: (1) port; allows MIDI over USB for connecting to/from an external computer sequencer Pedal: 1 switch-pedal input (assignable to sustain, soft, start/stop or memory select) (pedal sold separately) Included Accessories: power adaptor, music stand Finishes: Black, White Dimensions: 5.2?(H) x 37.6? (W) x 14.2? (D) 13.3 cm (H) x 95.6 cm (W) x 36 cm (D) Weight: 11.7 lb / 5.3 Kg Power: DC 12V 1000mA external power supply

INCLUDES FREE ▪ SanDisk 16GB Ultra UHS-I SDHC Memory Card (Class 10) ▪ Ruggard Commando 36 DSLR Shoulder Bag ▪ Watson EN-EL15 Lithium-Ion Battery Pack (7.0V, 1800mAh) 36.3MP FX-Format CMOS Sensor No Optical Low Pass Filter EXPEED 4 Image Processor 3.2" 1,229k-Dot LCD Monitor Full HD 1080p Video at 60/30/24 fps Continuous Shooting to 5 fps in FX Mode Expandable Sensitivity to ISO 51200 Multi-CAM 3500FX AF Sensor w/ 51 Points Electronic Front Curtain Shutter External Mic and Headphone Inputs Availability: IN STOCK Ship Time: Order Now to ship the Same day for more details on price and discount you can contact us For availability and Inquiries (24 Hours ) Skype carlton.valeria Whatsapp : +601128176258 email: carlton.valeria91@gmail.com All with International warranty /store warranty and 90days return policy.

Features:- - 88 Graded Soft Touch Keyboard - 500 Preset Voices and Drum/SFX Kits - 160 Accompaniment Styles - Six Track Sequencer - Backlit LCD Display - Lyric, Chord and Notation View - Advanced Wave Memory and Onboard DSP - Built-in Stereo Speaker System - Headphone Jack - Includes Stand and Sustain Pedal In the Box - Yamaha DGX-530 88-Key Digital Portable Grand Piano - Music Rest - Keyboard Stand - FC5 - Foot Switch Style Sustain Pedal - Song Book - CD-ROM with Song Book, USB Drivers and Digital Music Notebook - PA150 AC Adapter for Keyboards and Drums - 3-Year Limited Warranty

Features: Turntable has 3 adjustable speeds Includes USB/SD Card Reader that allows for transferring Cassettes and Albums to a Memory Card Ready to play, straight out of the box – no set up required Features built-in CD player, Cassette player, AM/FM Radio, and Stereo Speakers Standard 3.5mm Headphone Jack and External Speaker Outputs