Ground level

Buy Eckla Cam Disk Ground Pod For Low Level Photography for R4,799.39

Pan Head · With Case · Non-slip · Energy: A++ Weighing only 6.4 kg (14.1 lb) the aktiv8T Flowtech75 system is both lightweight and durable, designed to be a long-serving and high-performing part of your kit. This system is the perfect choice for professional medium-sized camcorders and digital cine camera set ups of up to 12 kg (26.5 lbs.). 15 counterbalance steps allow for fast and precise balancing of your camera. Seven drag settings provide smooth and fast to adjust drag performance without jolts or vibrations. The illuminated PrismBubble with top or side view makes levelling easy from any height. Fluid Head The aktiv8T fluid head with unique SpeedLevel technology can be levelled in seconds giving you time to get the perfect shot in documentary, corporate, News or Wildlife applications. The SpeedSwap system delivers the fastest way to switch between tripod and slider in seconds giving you ultimate flexibility. Tripod Capture the widest range of shots in the shortest time with aktiv8 combined with Flowtech75. With no bowl clamp required, flowtech can go flat to the ground for extreme low-angle shots - using the versatile hinge lock mechanism of flowtech. The system delivers the widest height range. The 2-stage carbon fiber flowtech tripod with high torsional stiffness has unique quick release brakes which can be deployed and adjusted in an instant. Its ergonomic design makes the tripod comfortable to carry, on shoulder or carry handle, no matter where your creativity takes you. flowtech comes with a quick attach rubber foot mechanism and an adjustable mid-level spreader. When you are ready to move on, the legs are hold together by a magnetic lock for transportation Deliveries done anywhere. Send us Whatsapp message for order inquiries.

Outdoor Insect Killers – In perfect working condition, 2 years old, Double tube, rust free material and suitable for coastal conditions, simply plug into a wall socket, ideal height 2 to 3 m above ground level, good for mosquito’s etc. New price R 1 141 each, don’t need them anymore so R 350 each, call Tess on 041 373 8010 business hours, can view in Cape Road, PE, near top of Mount Road.

Concerto Features Two pairs XLR input connectors for balanced system configurations. Three pairs RCA input connectors for unbalanced system configurations. Two pairs of parallel, high-current, balanced line level preamplifier outputs to allow driving of external amplifiers, subwoofers, zones, etc. Fully-balanced transformer-coupled inputs provide universal compatibility with other components and eliminate ground loop noise and EMI. Fully-balanced circuit topology implemented on all inputs and outputs. Bypass function allows for transparent use in combination audio/home theater systems. Regulated, high-current, linear power supply provides stable operating voltage with the lowest possible noise and distortion artifacts under all operating and line conditions. Low power consumption permits constant power-up operation to eliminate warm-up time. Optical encoder type volume control maintains quiet, trouble-free performance and accuracy over the entire lifetime of the product. Dual range volume control allows large volume level changes when knob is rotated abruptly, yet allows small, precise volume level changes when knob is rotated slowly. Six function, hand-held infrared remote transmitter. Ultra-low resonance, structurally rigid chassis, precision-machined from a solid block of aircraft grade 6061-T6 aluminum. Optional plug-in phono cards (installed internally) convert Line Input 2 to high performance phono inputs. Three gain and loading options can accommodate moving magnet (MM), moving coil (MC) cartridge types and high output moving coil cartridge types. Concerto Specifications Overall Gain 20 dB Gain Range 99.5 dB, 199 Equal Increments Gain Resolution 0.5 dB, +/- 0.03 dB Over Entire Range Frequency Response 10 Hz – 280 kHz, -3 dB Maximum Input Level 15 volts RMS @ 0 dB Gain Maximum Output Level 13.5 volts RMS CCIF Intermodulation Distortion, 19/20 kHz b' Output Noise Level 43 Microvolts, Unweighted 20 Hz – 20 kHz Bandwidth, 0 dB Gain Common Mode Rejection Ratio b'>' 90 dB, 20 Hz – 20 kHz Input Impedance 40K ohms Balanced or Unbalanced Channel Separation b'>' 90 dB, 20 Hz – 20 kHz Inputs 2 pair Balanced (XLR) 1 pair Unbalanced (RCA) Unity Gain (Bypass) 3 pair Unbalanced (RCA) Outputs 2 pair Balanced (XLR) Line Level Power Consumption 7 watts Preamplifier Weight 21 lbs. / 9.8 kg Overall Preamplifier Dimensions (H) x (W) x (D) 3.2” x 17.3” x 12.9” 80mm x 440mm x 328mm

Mikser audio MX240 PAN pan control for positioning the microphone on the stereo base DJ microphone gain control TALKOVER - this button lowers the volume of all inputs by 12 dB LINE1 / PHONO1 input selector Channel 1 volume control LINE2 / PHONO2 input selector Channel 2 volume control CD channel volume switch CROSSFADER smooth transition between channels Signal level regulator at the AMP output Power switch VU Level Indicator Headphone jack Left channel microphone socket Right channel microphone socket LINE1 input jack for devices with line output or turntable with magnetic insert (PHONO1) LINE2 input jack for devices with line output or turntable with magnetic insert (PHONO2) CD input socket Amplifier output jack (unbalanced) Ground terminal for connecting a common ground, e.g. from a turntable

ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. - 4 mic/line inputs, 2 with Class A FET high impedance inputs - Neutrik mic XLR - Neutrik 1/4 inch jacks - 3 band EQ with MusiQ - 2 auxes - Sound image pan - Illuminated PFL indicator - Stereo returns & playback - All inputs with level control - 12 bar meters - Responsive 3-band, swept mid EQ with MusiQ - 2 stereo sources with MP3 player compatibility - Separate 2-track record outputs - Stereo playback input for 2-track replay - XLR main stereo outputs with inserts - Comprehensive monitoring - Configurable USB stereo audio in/out - Stereo monitor outs - 48V microphone phantom power - DI level switching for sub mixing LOCATE & VISIT US AT SHOP 15A CAXTON HOUSE GROUND FLOOR 35 TERMINUS STREET, EAST LONDON CBD CALL: 043 722 1621 WHATSAPP: 081 478 2104

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

Be Loud, Be Proud, Be Ready To Party! Bring the party with the portable power of JBL PartyBox 100. Ignite the night. Pick the perfect light show or let the music choose the mood. Mix it up. Pop in a playlist from your USB stick or stream from a Bluetooth®-compatible device. Rock out on the fly with mic and guitar inputs. Find your sweet spot. Mount your speaker on a pole and immerse the room in dynamic JBL sound. Go all night with up to 12 hours of battery life. Plug your speaker into the wall to keep the tunes flowing. Features and Benefits Power to the party Kick out the hottest jams in town. JBL PartyBox 100 thumps out 160 Watts of that pounding JBL signature sound. Start the party whenever and wherever you need. Light up your party Boost your party with an epic light show. Choose from several RGB LED light patterns or let the colors groove to the music for a next-level audio-visual party. A battery that just won’t quit Rock on from sunup to sundown with a massive battery life, up to 12 hours. Plug in and play: Have mic, will sing. Have guitar, will shred. Just plug into your speaker, take to the stage and rock that party like there’s no tomorrow. Stream seamlessly with Bluetooth It’s easy to keep the music flowing. Simply connect to your smartphone, tablet, or favourite online service via any Bluetooth-compatible device for uninterrupted wireless streaming. Playlists made easy Personalise your party. Build your ultimate party sounds from the ground up. Just make your playlist, pop it on a USB-capable thumb drive and slip it into your speaker. Amplify your audio One speaker just not enough? Link up to two compatible party speakers with True Wireless Stereo (Bluetooth). Put your speaker on a pedestal A speaker that rises to the occasion. Mount your JBL PartyBox 100 on a post for a dynamic, immersive party sound that really rocks the crowd. 12 hrs battery playtime is only for reference and may vary depending on music content and battery aging after numerous charging and discharging cycles. It’s achievable with a predefined music source, light show switch off, volume level at 7 and BT streaming source. What's in the box 1 x JBL party speaker 1 x Quick-start guide 1 x Warranty card 1 x Safety sheet 1 x AC power code (AC plug varies by region)

JBL PRX918XLF 18-Inch Powered Subwoofer The JBL PRX918XLF subwoofer takes professional portable PA performance to a new level with advanced acoustics, DSP, & unrivaled power, durability, and control. This 18-inch powered subwoofer is built from the ground up to leverage JBL’s most advanced acoustic innovations. A next-generation driver—powered by an ultra-efficient Class D amplifier—delivers clear, defined bass with smooth low-frequency extension at maximum volume. The PRX918XLF’s class-leading DSP package, accessible via onboard LCD or the JBL Pro Connect app, includes 6-band parametric EQ for system tuning and nuanced tonal control, plus a lowpass filter and 20ms delay. The JBL Pro Connect app provides complete hardware and DSP control of up to 10 speakers; integrate with JBL EON ONE MK2, PRX ONE and EON700 systems, and allows users to access app-only functions including speaker snapshots and grouping. The PRX918XLF is designed to withstand the rigors of the road and is enclosed in an 18mm birch cabinet with optimized bracing for smooth low-frequency response and improved durability. Like with every JBL product, everything is reinforced by industry-leading test and validation protocols and backed by a seven-year warranty. The PRX900 Series is a versatile solution for DJs and bands, music venues, rental houses, corporate A/V providers, or anyone who needs durable professional systems that deliver powerful, room-filling sound in any portable or installed scenario.