Earphone line volume control

Buy Earphone In Line Volume Control Cable Audio Stereo Extension Adapter for R193.55

Buy ZUZG E15S Type-C Wired Earphone Volume Control In-ear Headphones with HD Mic for R215.80

Line 6 FBV Shortboard MkII – LUCKY 13 FBV Shortboard MkII delivers out-of-the box, plug-n-play connectivity. Stomp the 13 steel footswitches to quickly scroll and select channel presets, synchronize your time-based effects with Tap Tempo, activate effects, the chromatic tuner, and more. When paired with Spider® IV and Spider Valve™ MkII guitar amplifiers, the footswitches can activate many on-board amp effects including Quick Loop, Pitch Glide and Smart Harmony, and provide up to 128 user-created presets. The burly, full-sized volume/wah pedal feels solid under your foot and features plenty of grip. Clicking the toe-switch toggles between volume and wah control (with an illuminated LED to match). Oversized and backlit, the LCD is big, bright and easy to read. It displays the active preset name and number, and the chromatic tuner (when activated). FEATURES Total hands-free control of most Line 6 amps and POD processors 13 steel channel switches for preset bank select, bank scroll, effect select, tuner, tap tempo & more Burly, full-sized volume/wah pedal with plenty of grip Bright, oversized LCD shows active preset name/number and chromatic tuner FBV Control software allows for easy and unlimited mapping of FBV controls via USB (Mac®/PC) Self-powered via included locking RJ-45 cable Back panel: USB jack, RJ-45 jack, 1/4-inch expression pedal jack FBV CONTROL SOFTWARE Take full advantage of FBV Shortboard MkII with the free and downloadable FBV Control software. The application shows you a graphical representation of your FBV Shortboard MkII and lets you customize the midi commands you send via USB. Assign each FBV control a MIDI CC, a bank change, a program change or even transport commands to drive many popular audio applications including ProTools®, Propellerhead Reason® and Record, and more! Create and save endless variations – a few for gigs, a few for the studio – and easily add them to your FBV Shortboard MkII via USB *

Buy TRN V20 In-ear DD+BA Hybrid HIFI 2Pin Earphone with Microphone Line Control for R639.09

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Concerto Features Two pairs XLR input connectors for balanced system configurations. Three pairs RCA input connectors for unbalanced system configurations. Two pairs of parallel, high-current, balanced line level preamplifier outputs to allow driving of external amplifiers, subwoofers, zones, etc. Fully-balanced transformer-coupled inputs provide universal compatibility with other components and eliminate ground loop noise and EMI. Fully-balanced circuit topology implemented on all inputs and outputs. Bypass function allows for transparent use in combination audio/home theater systems. Regulated, high-current, linear power supply provides stable operating voltage with the lowest possible noise and distortion artifacts under all operating and line conditions. Low power consumption permits constant power-up operation to eliminate warm-up time. Optical encoder type volume control maintains quiet, trouble-free performance and accuracy over the entire lifetime of the product. Dual range volume control allows large volume level changes when knob is rotated abruptly, yet allows small, precise volume level changes when knob is rotated slowly. Six function, hand-held infrared remote transmitter. Ultra-low resonance, structurally rigid chassis, precision-machined from a solid block of aircraft grade 6061-T6 aluminum. Optional plug-in phono cards (installed internally) convert Line Input 2 to high performance phono inputs. Three gain and loading options can accommodate moving magnet (MM), moving coil (MC) cartridge types and high output moving coil cartridge types. Concerto Specifications Overall Gain 20 dB Gain Range 99.5 dB, 199 Equal Increments Gain Resolution 0.5 dB, +/- 0.03 dB Over Entire Range Frequency Response 10 Hz – 280 kHz, -3 dB Maximum Input Level 15 volts RMS @ 0 dB Gain Maximum Output Level 13.5 volts RMS CCIF Intermodulation Distortion, 19/20 kHz b' Output Noise Level 43 Microvolts, Unweighted 20 Hz – 20 kHz Bandwidth, 0 dB Gain Common Mode Rejection Ratio b'>' 90 dB, 20 Hz – 20 kHz Input Impedance 40K ohms Balanced or Unbalanced Channel Separation b'>' 90 dB, 20 Hz – 20 kHz Inputs 2 pair Balanced (XLR) 1 pair Unbalanced (RCA) Unity Gain (Bypass) 3 pair Unbalanced (RCA) Outputs 2 pair Balanced (XLR) Line Level Power Consumption 7 watts Preamplifier Weight 21 lbs. / 9.8 kg Overall Preamplifier Dimensions (H) x (W) x (D) 3.2” x 17.3” x 12.9” 80mm x 440mm x 328mm

Mikser audio MX240 PAN pan control for positioning the microphone on the stereo base DJ microphone gain control TALKOVER - this button lowers the volume of all inputs by 12 dB LINE1 / PHONO1 input selector Channel 1 volume control LINE2 / PHONO2 input selector Channel 2 volume control CD channel volume switch CROSSFADER smooth transition between channels Signal level regulator at the AMP output Power switch VU Level Indicator Headphone jack Left channel microphone socket Right channel microphone socket LINE1 input jack for devices with line output or turntable with magnetic insert (PHONO1) LINE2 input jack for devices with line output or turntable with magnetic insert (PHONO2) CD input socket Amplifier output jack (unbalanced) Ground terminal for connecting a common ground, e.g. from a turntable

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

A fantastic headphone amplifier and DAC in a single unit. Having fixed and variable line output capability also allows the unit to be used as a pre-amplifier. The NFB-11 applies the newest ESS high-end Sabre32 DA chip ES9028 which can support up to 32Bit/384KHz input. The NFB-11 applies Non-feedback ACSS design. The ES9028 feed to the ACSS circuit without any OPAs. The ACSS circuit naturally working in current mode. The ACSS amp only have one current gain stage, the ES9028 output signal only goes through one stage. The shortest signal path can reproduce the best detail and dynamics almost without any sound coloration. It shows the real performance of the ES9028 dac. Inputs: Coaxial, USB and Optical – (DSD, DXD support from USB) Output: Headphones, Fixed and Variable RCA Line-level High quality, large volume control on front panel (ALPS 27 volume pot) In excellent condition and offered with original packaging and power cable at only R4250. Contact Deon in Cape Town on 082 626-4559, on WhatsApp or via email.

Zoom H1n Handy Recorder!!! !!! (Brand New) (Recording) (Great Condition) !!! Price: R 1800 (Negotiable) Contact: 073 032 8868 (Cell/WhatsApp) The H1n's X/Y microphones capture high-quality stereo sound, supporting up to 24-bit audio at sampling rates of 44.1, 48, or 96 kHz in WAV and various MP3 formats An ⅛" stereo mic/line input lets you record with your external microphones or other sound sources, and supplies plug-in power (2.5 volts). Connect headphones via the ⅛" headphone output with dedicated volume control. You can also use the H1n's built-in speaker to listen to your recordings. The H1n's USB port provides a digital output of the stereo mix and allows data to be sent to and from your computer. It also allows the H1n to be used as a USB microphone and a microSD card reader.

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FBV Express MKII Hands-free channel switching and more for most Line 6 amps and POD processors 4 channel switches: A, B, C and D Full-sized volume/wah pedal features plenty of grip Chromatic tuner display Bright LEDs show active channel, tap tempo and volume/wah FBV Control software allows for easy and unlimited mapping of FBV controls via USB (Mac®/PC) Durable footswitches and chassis Self-powered via included locking RJ-45 cable USB jack and RJ-45 jack Compatible Products Spider V AMPLIFi Spider Valve™ MKII Spider® IV POD HD Pro X POD® HD Desktop POD HD Pro Spider III (including Spider Jam, Spider III 15 is not compatible with the foot controllers) Spider Valve™ Vetta™ Vetta™ II HD147® Flextone™ III Bass POD® XT Bass POD® XT Pro POD® 2.0 (FBV version) POD® XT POD® XT Pro POD® X3 POD® X3 Pro LowDown® (LowDown 110 is not compatible with foot controllers) ----------------------------------------------------------------------------------------------------------------------------------------- FBV EXPRESS MKII FOOT CONTROLLER Tough enough for arena stages yet small enough to fit in your backpack FBV Express™ MkII delivers a crucial collection of hands-free functionality that will keep you at the foot of the stage instead of tied to the front of your Line 6 amp or POD ®. FBV Express MkII delivers out-of-the box, plug-n-play connectivity. Stomp the four steel footswitches to quickly store and select channel presets synchronize your time-based effects with Tap Tempo, activate the chromatic tuner, and more. When paired with most Line 6 guitar amplifiers, the footswitches also give you total control of Quick Loop, the amps' built-in 14-second sound-on-sound looper. The burly, full-sized volume/wah pedal feels solid under your foot and features plenty of grip. Clicking the toe-switch toggles between volume and wah control (with an illuminated LED to match). The bright and easy-to-read LCD shows tap tempo, active channel and the chromatic tuner (when activated).

Sampling Rate - 48 kHz Width - 218 mm Height - 107 mm Depth - 301 mm Weight - 3.2 kg A/D Converter - 24 bit S/N Ratio Line - 91 dB S/N Ratio Phono - 86 dB S/N Ratio Mic - 80 dB Crosstalk Line - 78 dB Distortion - Master Level Meter Size - 7 segment Channels - EQ/ISO 3 band EQ/ISO Range -8 ~ 9 dB Level Meter Type Individual Level Meter Size 7 segment Performance Control Channels - 2 Sound Color FX - Crush - Filter - Gate - Jet Effect/Sampler 3-Band Isolator - Yes Effect Level & Depth Volume Mic Mic Connection Jack Mic EQ 2 band Mic EQ Range -8 ~ 0 dB Terminals Inputs 1 MIC (1/4 inch Jack) 2 CD/LINE (RCA) 2 PHONO (RCA) USB 1 USB A port Outputs 1 HEADPHONE MONITOR (1/4 inch Jack) 2 CONTROL (Mini-jack) 2 MASTER (RCA)

Roland KC-200 - 100W 12" Keyboard Amp Full-Range Sound for Keyboards and Electronic Musical Instruments The KC-200 offers full-range audio reproduction in a compact amp with 100 watts of power. The cabinet features Roland patented twin bass-reflex design, providing extended low-frequency response without distortion. Paired with the newly redesigned power section and updated 12-inch woofer, the KC-200 delivers even better bass performance for amplifying 88-note stage pianos, organs, and synthesizers, plus rhythm machines and other electronic instruments. Onboard 4+1 Mixing The KC-200&rsquos four 1/4-inch line input channels support keyboards, drum machines, and various electronic instruments. There is also an auxiliary channel with 1/8-inch and RCA inputs for connecting smartphones, music players, or other devices. Channel 1 includes an XLR input too, letting you plug in a vocal mic for even more versatility. Channel 4 is dedicated to monitoring through the KC-200&rsquos onboard speakers and headphones jack this allows you to monitor click or guide tracks while performing without sending the sound to a PA via the amp line out jack. Versatile Connectivity for Performing, Recording, and Practice With its easy-access connectivity, the KC-200 integrates into any playing environment. A 1/4-inch line output enables you to interface with PA systems, stage monitors, and recording devices. There is also a Sub Out jack for connecting to a powered subwoofer, with level conveniently tied to the amp master volume for one-touch control. Plugging into the Phones jack mutes the onboard speakers and Sub Out, perfect for private practice sessions and checking sounds on stage with headphones. For any further support our Customer Service Team is at your disposal via email, sales @ soundmax .co .za