Complete line

Buy Line of Duty - Series 1-6 Complete Collection (Blu Ray) for R1,588.00

Digital Line Electronics 43 Mangold Road,Newtown Park Port Elizabeth, 6070 P.O.Box 35233 Eastern Cape Contact Sales Department Tel: 0789781044 Fax: 0866252482 Email: digitalsales@live.co.za AUTHORIZED dealer, and ALL items are brand NEW In-The-Box, and come with FULL factory warranty (Items are NOT B-Stock, Refurbished, or Used). We offer a wide range of products from entry level to pro gear, instruments and Hi-fi. We offer excellent competitive pricing, frequent order updates, quick turnover time and delivery right to your doorstep. Shop with trust and confidence! Roland Fantom-G6/R7000 Roland Fantom-G7/R7200 Roland Fantom-G8 Synthesizer/R19,800 Roland LIVE WORKSTATION 88 KEYS/R12500 Roland Jupiter-80 Live Synth w/USB & MIDI-76 Key/R15000 Roland JUNO-Gi Synth STAGE BUNDLE w/ Keyboard Amp, Case, Stand & Bench/R8500 Roland JUNO-STAGE 76-Key Synthesizer/R7000 Roland JUNO-Di Mobile Synthesizer with Song Player KEY ESSENTIALS BUNDLE/R6800 Roland E-09/R5000 Roland EM-50/R5500 Roland E-16 intelligent synthesizer/R4800 Roland BK-3/R6500 Roland E-38/R4000 Roland E-28/R5000 Roland E300/R10,000 Roland E500/R5000 Roland RD-800 Digital Piano STAGE ESSENTIALS BUNDLE/R13,200 Roland RD-300NX Digital Piano/R11,200 Roland RD-700NX Digital Piano/R10,000 Roland RD-700SX Digital Piano/R12,000 Roland XP-50 Synth Synthesizer Keyboard/R3500 Roland XP-60 Synth Synthesizer Keyboard/R4500 Roland XP-80 Synth Synthesizer Keyboard/R5500 Roland XPS-10 Expandable Synthesizer, Pro Keyboard/R6000 Roland V-Combo VR-700 76-Key Performance Keyboard COMPLETE STAGE BUNDLE/R14,000 Roland V-Combo VR-09 61-Key Performance Keyboard KEY ESSENTIALS BUNDLE/R8000 Roland AXSYNTH black/white SPARKLE with CARRYING BAG/R5000 Roland BK-5 Backing Keyboard COMPLETE STAGE BUNDLE/R6000 Yamaha DGX-530 88-Key Keyboard with Matching Stand and Sustain Pedal/R3000 Yamaha Motif Rack 128-voice Rackmount Synth/R4500 Yamaha MOTIF XS7 Music Workstation/R9600 Yamaha S90XS Synthesizer; 88-Note Balanced Hammer-Weighted Action/R17000 Yamaha S70XS Synthesizer 76-Note Balanced Hammer-Weighted Action/R12000 Yamaha MOX6 61-Key Music Pro Synthesizer/R6500 Yamaha MOX8 88-key Synthesizer Workstation/R7000 Yamaha MOTIF XF6 61-Key Synth Workstation/R9800 Yamaha MOTIF XF7 76-Key Synth Workstation/R6500 Yamaha MOTIF XS8 88-Key Music Workstation/R10,400 Yamaha MOTIF XF8 Music Production Synthesizer/R17000 Yamaha NP31 76-key Keyboard STAGE BUNDLE w/ Carrying Bag, Stand & Pedal/R3000 Yamaha Tyros4 10th Anniversary Special/R17000 Yamaha Tyros5 76-key Arranger Workstation with Yamaha 3-Piece Speaker System for Tyros5 + Yamaha Keyboard Stand + Sustain Pedal + X-Style Keyboard Bench/R25,000 Yamaha Keyboard PSR-E433/R2200 Yamaha Keyboard PSR-S650/R4500 Yamaha Keyboard PSR-OR700/R6500 Yamaha Keyboard PSR-S710/R5890 Yamaha Keyboard PSR-S750/R7800 Yamaha Keyboard PSR-S900/R6600 Yamaha Keyboard PSR-S910/R7600 Yamaha Keyboard PSR-S950/R6700 Yamaha Keyboard PSR-1000/R5500 Yamaha Keyboard PSR-1100/R5800 Yamaha Keyboard PSR-2000/R5900 Yamaha Keyboard PSR-2100/R6000 Yamaha Keyboard PSR-3000/R6500 Korg Triton Pro/R13600 Korg M50 (67)/R7200 Korg CX3 + Midi Bass Pedal/R6700 Korg Kronos 76/R9600 Korg LP-380 73 Digital Piano/R5300 Privia PX150 Digital Piano/R5000 Kurzweil MP15 Digital Piano/R8000 Nord C3 Organ Combo/R19000 Nord Piano 2 88-Key Hammer Action Portable Keyboard/R15000 Nord Stage 2 SW73, 73-Key Semi-Weighted Waterfall Keyboard Digital Stage Piano/R19500 Nord Stage 2 NS2 73-key Compact Digital Piano Keyboard STAGE ESSENTIALS BUNDLE/R18000 Nord Stage 2 HA88, 88-Key Hammer Action Digital Stage Piano with Nord Stage 88 Soft Case Gig Bag/R21,000 Korg Pa50SD Arranger STAGE BUNDLE w/ Keyboard Amp, Case, Stand & Bench/R5000 Korg X50 61 Key Synthesizer Keyboard/R3400 Korg Kronos 88 Weighted Key Workstation COMPLETE STAGE BUNDLE/R17,000 Korg Pa3X Workstation and PaAS Monitor System/R17,800 Korg Pa3X 76-Key Workstation KEY ESSENTIALS BUNDLE w/ Stand & Bench/R15000 Korg Pa3X Le Arranger Workstation/R16,800 Korg Kronos X 61 Music Workstation KEY ESSENTIALS BUNDLE/R18,000 Korg KROME 61-Key Music Workstation Keyboard & Synthesizer/R6000 KORG SV1 Stage Vintage Piano 73-Key/R8,100 KORG SV188 88-Key Vintage Stage Piano/R9,300 KORG M3M Synthesizer Workstation/R9,100 Korg Pa2XPro 76-key Arranger Keyboard/R10,700 KORG PA588 88 Key Arranger Keyboard/R9,600 KORG M3 88-Key Music Workstation Keyboard/R10,700 KORG M50 88-Key Keyboard Workstation/R6,900 KORG PA800 PRO ARRANGER/R8,100 Korg Pa500 61-key Arranger Keyboard/R6,900 Korg Pa600 Professional Arranger Keyboard/5,300 Korg CX3 Digital Drawbar Organ/R6,700 Korg OASYS 88 88-Key Workstation/R9,200 Korg Kronos X 73 STAGE ESSENTIALS BUNDLE/R15,000 For confirmation on stock availability prior to order placement please email: digitalsales@live.co.za http://digitallinelimited.mycylex.com

LIKE NEW Sound devices 302 Highlights mic or line level inputs and outputs 3 x microphone preamps l e d displays +48 v, +12 v and +12 v t phantom power channels 1 and 2 are stereo linkable high pass filter switches powered by 3 a a batteries includes x l 14 headphone extension cable 4 x adhesive rubber bumpers 4 x color dot stickers Features the 302 portable compact production field mixer from sound devices is a compact, battery powered professional audio mixer with three mic preamps and balanced transformers designed to handle very low frequencies it can be used to interface with wireless transmitters and receivers, camera audio inputs, or external audio recorders in e n g (electronic news gathering), e f p (electronic field production), and broadcast t v applications with a complete feature set like the super bright l e d display, internal limiter, and high pass filter, the 302 can accommodate nearly any over the shoulder production and perform reliably in just about any indoor outdoor field condition controls on the 302 mixer are accessible on its three main surfaces, and the mixer is powered by three internal a a batteries or an external 5 to 18 v d c adapter (sold separately) this mixer is a suitable tool for production companies and camera operators wanting to take control of their audio in addition, an x l 14 headphone extension cable, four adhesive rubber bumpers, four color dot stickers, and a setup menu reference card are also included 3 transformer balanced inputs the compact mixer features 3 transformer balanced microphone or line level switchable inputs via x l r female 3 pin connectors Flexible monitoring the 302's headphone monitor out is capable of varying output impedance between 8 to 2000 ohms the monitor source is capable of individual channel, mono, stereo, m s to stereo monitoring, and more Input and output limiting each input and stereo outputs provide limiting that prevents signal overload, eliminating noise and distortion polarity (phase) reverse switch channels 1 b'&' 2 are stereo linkable and channel 2 features a polarity (phase) reverse switch this makes the 302 ideal for decoding m s stereo captured audio signal Selectable phantom power the unit is capable of powering condenser microphones requiring +48 v, +12 v and +12 v t phantom power phantom power is individually switched for every channel High pass filters a three position high pass filter switch is available on every input and is used to reduce excessive low frequencies at 12 d b per octave at 80 hz or 160 hz center position is off

KeyLab 61 combines a professional-grade MIDI keyboard with our powerful Analog Lab software environment. With 61 keys, 2 banks of 10 encoders, 2 banks of 9 faders, 10 assignable switches and 16 velocity- and pressure-sensitive pads KeyLab 61 is perfect for studio and live use. Perfectly matched to the included Analog Lab software, with an integrated user interface and 5000 sounds from our V-Collection line of products, KeyLab 61 is more than a controller: it is an instrument unto itself. Main Features Includes Analog Lab with 5000 synth sounds. All presets are carefully selected from the Arturia V Collection Fast preset sorting to find your sound quickly: by Instrument, by Type (Bass, Pads, Leads…), by Characteristics (long, bright, dark …), etc. In-depth Preset editing available for the owners of the full versions of our synthesizers (mini V, CS-80 V, etc.). Edit your sounds on the original instruments within Analog Lab. Straightforward editing, with a complete array of parameters for tweaking sounds, directly assigned to the controls of the KeyLab 61. Keyboard: 61 semi-weighted keys with velocity and aftertouch. Controls: 2 clickable encoders, 6 transport switches, 1 modulation wheel, 1 pitch bend wheel, two banks of 10 encoders, 9 sliders, 1 volume encoder, 10 assignable switches and 16 backlit pads with velocity- and pressure-sensitivity. Connectors: MIDI in & out, USB, sustain pedal, expression pedal, Aux footswitch, and breath controller. High-quality aluminum and wood construction. 32-digit LCD screen. Use with Analog Lab or with any other MIDI software. Product dimensions: 34.57 x 11.73 x 2.76 inches (878x298x70 mm) - Net weight: 16.1 lbs. (7.3 Kg)

A superb heavy duty winch supplied complete with Balance Valve, cable and Heavy Duty tensioner. Standard features include air operated clutch, high precision 2 stage planetary gearing and a rugged high torque motor. The ultimate winch for heavy recovery and commercial applications. SPECIFICATION Rated line pull: 10000lbs (4536kgs) Motor displacement: 50ml/r Oil flow: 15～40L/min Pressure: 12.5Mpa Gear reduction ratio: 28:1 Pressure Mpa(Psi): 12.5 (1812.9) Cable (Dia.× L): Ø3/8″ × 85′ (Ø9.2mm × 26m) Drum size (Dia.× L): Ø2.6″ × 8.5″ (Ø66mm × 217mm) Mounting bolt pattern: 21.7″ × 19.7″ × 4.5″ (550mm × 500mm × 114.3mm) 4-M12 Overall dimensions: (L) 22.8″ x (W) 7.9″ x (H) 9.5″ / (L) 580mm x (W) 201mm x (H) 242mm Net weight Ibs(kgs): 96.3/43.7 SKU: 16929 Please contact/WhatsApp Sabia for more information on 0783384949 or email to sabia@boatssa.co.za

The Condenser Microphone captures a larger frequency range and has a good transient response, which is the ability to reproduce the "speed" of an instrument or voice. They also generally have a louder output but are much more sensitive to loud sounds. Features: It adopts an omnidirectional format with superior sensitivity, wide dynamic range, can effectively reduce noise, suitable for recording, chatting, voice searching, etc. It adopts complete electronic circuit control to capture rich, full-bodied sound from sources directly in front of the microphone with a professional tripod, easier to adjust the height -and angle of the microphone, easy to carry, place it on the table, and use it easily. Smooth frequency response 50Hz - 16KHz, suitable for singing, speech, and playing instruments. Perfectly reproduces a wonderful sound. Plus, the high-quality microphone and perfect voice recorder will help your voice spread out. Plug and play internet access, high-quality microphone recording, and plugging into devices such as computers, smartphones, tablets, etc. Small and pink design, suitable for women. Specifications: Color: white + pink Material: ABS + iron Polar pattern: omnidirectional Frequency: 50Hz - 16KHz Sensitivity: 30 + / - 3dB Sensitivity reduction: Within -3dB at 1V Load impedance: 2200 OHM or less S / N: 36dB Line length: 1.8M Voltage Working Power: 1.5V Whats in the Box: 1 X Microphone 1 X Tripod 1 X Audio Adapter Cable 1 X User Manual We are at Shop 43 Frontline between the Postnet & Simply Asia Moffet on Main Lifestyle centre Charlo (Port Elizabeth) Mon to Fri 9:00 to 18:00 Closed Fri from 12:15 to 14:15 Sat 9:00 to 15:00 We will be open every Sunday till Christmas Sun 9:00 to 14:00 Public holidays 9:00 to 15:00 Debit & Credit cards Accepted

Roland FA-08 88-Key Music Workstation with 16 Backlit Pads The FA-08's 88-key ivory-feel G keyboard is ideal for playing the FA's high-quality acoustic and electric pianos. The FA-08 is a complete reconstruction of what a music workstation should be, in order to realize the real-time performance and speedy workflow required of modern hardware synthesizers. Light, mobile body with 88-note Ivory Feel-G Keyboard Over 2000 sounds from the flagship INTEGRA-7 sound module16-track sequencer with non-stop loop recording Export sequencer tracks to SDHC card or as multitrack audio or MIDI to your DAW Onboard sampler based on the SP-404SX16 independent FX engines, six COMP+EQ processors, global EQ, chorus, and reverb Six user-assignable Sound Modify knobs D-Beam, Rhythm Pattern, Arpeggiator, and Chord Memory functions Guitar/Mic and Line input jacks Dedicated input

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.