Blast

Buy Blast from the Past - Brendan Fraser - Movie VHS Tape (1999) for R20.00

Buy Blast - An Explosive Musical Celebration - VHS Tape (2000) for R20.00

Buy Blast - An Explosive Musical Celebration - VHS Tape (2000) for R10.00

Buy 210mm/250mm Black Glove Holder for Blast Cabinet for R464.03

Buy Double Blast From The Past - Original Artrists - Double Vinyl LP Record - Very-Good Quality (VG) for R190.00

Buy Narnia - Awakening Vinyl LP Speed Power Metal Nuclear Blast 1998 German Press for R250.00

Samsung Giga sound blast in excellent condition working 100% with remote.

XTC sub&box with StarSound Amplifier for car. WhatsApp 0645811484

Buy Black Star Riders - Heavy Fire Vinyl LP Picture Disc Nuclear Blast Records Thin Lizzy for R230.00

Buy Various - Music From The Original Motion Picture Soundtrack Blast From The Past (CD, Comp) for R45.00

Buy Therion - Theli Vinyl LP Limited Picture Disc 1996 Nuclear Blast Press Doom Symphonic Metal for R280.00

Features:- - LG ARX 10 4.2 CHANNEL BLUETOOTH H/T/S*M* - 4.2ch 2300W RMS Total Power Output - Premium Radial Horn Tweeter - Bass Blast - Smart DJ - Bluetooth - USB Direct Recording - HDMI 3 in / 1out - DVD Player Included

This item is sold brand new. It is ordered on demand from our supplier and is usually dispatched within 24 hours John Milton is a hardened - albeit dead - criminal who has so far spent his afterlife in Hell. Enraged by the murder of his daughter and the imminent sacrifice of his baby granddaughter by a brutal religious cult, Milton breaks out to stop the REAL evil-doers before they fully unleash Hell on Earth. Aided by a seriously hot and sassy waitress Piper and driving a cherry red muscle car which Piper liberates from her meat-head ex, Milton is blazing a trail in pursuit of the brutal cult leader. But Milton's being hounded too - not only by the police but by an enigmatic character known only as The Accountant, who has been sent by the Devil to bring Milton back to Hell. Milton is mad, bad and Hell-bent on achieving his goal. He's breaking all the rules, but what are they gonna do - not let him back in? Interactive Menus Features Summary A tongue-in-cheek and hugely enjoyable action blast, full of smoking-hot cars and drop-dead gorgeous women. Studio Millennium Films Format Blu-ray disc Release date 20110704 Contributors Nicolas Cage (Actor), Amber Heard (Actor), William Fichtner (Actor)

Includes adjustable hang strap Auxiliary and micro SD inputs RADIO SEARCH & SAVE FUCTION 8W with rechargeable battery Awesome 2 x full range speakers and tweeter blast out an enormous 40 watts of thunderous power Different light mode settings bring flame to the party Includes the latest Bluetooth 5.0 with 10m wireless range Listen to tunes straight from your device with USB, AUX and micro SD plug and play Massive 10,000mAh battery gives you up to 6 hours of playback! Karaoke feature lets you and your friends perform the ultimate duet with 2 mic inputs! Multiple mic settings for a more customisable, personal experience Rechargeable lithium battery

Roland AX-Edge 49-key Keytar Synthesizer - Black 49-key Keytar Synthesizer and USB MIDI Controller with 256-note Polyphony, 500+ Onboard Sounds, Ribbon Controller, Modulation Bar, and Optional Battery Power - Black Roland's Next-gen Keytar You'll be hooked on the freedom of performing live with Roland's next-generation AX-Edge keytar synthesizer/MIDI controller. With updated ergonomics for improved playability, a more robust housing, and a streamlined control layout, you'll have immediate access to over 500 onboard patches, while the included USB connection lets you connect to any computer for powerful control over your software instruments and sound modules. Even the most traditional keyboardists can't deny what a blast it is to strap on a keytar and shred center stage. Why should guitarists get all the attention? You'll love the Roland AX-Edge.

I'm selling my LG ARX-8 home theatre system. It's an awesome setup with a lot of great features. I don't really blast my music anymore, so I'm hoping someone else can enjoy it. • Powerful Sound: 1600W total output – yes, it can make a room shake! • Clear Audio: Crisp and clear sound quality for all your entertainment needs. • Bluetooth Connectivity: Stream your favorite music wirelessly. • DJ Mix Options: Have some fun with built-in DJ effects. • Additional Inputs: USB and HDMI for various media sources. It's a solid system that's easy to set up and use. Perfect for movie nights, parties, or just enjoying your music collection.

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.