Balanced xlr power output

For Sale a set of Audiolab 8200MB power amplifiers. Power output 8-Ohm - 250-watt Power output 4-Ohm - 400-watt Power output 1-Ohm - 1600-watt Balanced input, single-ended input, 12-Volt trigger, Condition is mint (like new) Price: R 20 000.00 (pair) Contact Harry for more info (0824130734)

Hybrid ML1260PDUX Powered Mixer With USB New, Not even use once. Still in a box 0724439034 / Whatapp Features: - 8 Mono Mic / Line Channels XLR, 1/4? ? Jack ? Balanced - Mic Input Impedance / 2K? - Line Input Impedance / 47K? - Low Cut Switch - Gain Potentiometer - Compressor Potentiometer - Individual Low & Hi EQ Potentiometer/ -15/+15 dB - Effects Send Potentiometer - Aux Potentiometer - Pan Potentiometer - Level Potentiometer - Inbuilt Power Amplifier - 2 x 300W RMS @ 4? / 1/4? Jack Outputs - Unbalanced 1/4? Jack Outputs Left & Right /75? - Unbalanced 1/4? Jack Control room Outputs Left & Right /75? - RCA Record Output Left & Right / 1K? - Stereo Unbalanced Aux Return / 1/4? Jack Left & Right / 10k? - Aux Send 1/4? / 75? - 2TK Play / Unbalanced RCA Left & Right / 10K? - Inbuilt PSU - 16 DSP Effects Processor - Effect repeat Potentiometer - Effect Level Potentiometer - Aux Send & Return Potentiometer - 2TK Play / MP3-USB Level Potentiometer, Switchable - MP3-USB Media Player - Master Level Potentiometer - 48V Phantom Power Switch - 8 Bar LED Master Level Indicators Specifications: - Weight: 5 kg - Dimensions: 50 x 40 x 20 cm What's in the box 1 x Mixer

Buy MAX97220 Differential to Balanced Power Amplifier Board Single-Channel Output AMP HIFI DC 2.5-5.5V for R209.09

This power speakers are still like brand new no marks or scratches and used twice for monitors. i have 2off and the price is R3000 for each and have 2 off available with original covers,boxes and package. INPUT SENSITIVITY: MIC -40dBu / LINE 0dBu INPUT IMPEDANCE: Balanced 20k? / Unbalanced 10k? HUM AND NOISE: -90dB MAXIMUM INPUT LEVEL: +20dBu DIMENSIONS (HXWXD): 556mm x 384mm x 312mm / 21.88" x 15.11" x 12.28" EQUALIZATION: HIGH (±10dB) 10KHz Shelving, LOW (±5dB) 100Hz Shelving GROSS WEIGHT (KG / LBS): 15.5kg / 34.1lbs FINISH COLOUR: Black AMPLIFIER PROTECTION: Power switch on/off mute; DC detection; Overload & short-circuit detection; Thermal/Heat sink protection; Output mute/reset LOW FREQUENCY POWER: 250W RMS HIGH FREQUENCY POWER: 50W RMS MONITOR FILTER: A 90Hz HPF Filter for stage monitor use. REMOTE GAIN ATTENUATOR: 3 pin Euroblock connector for remote volume adjustment. POWER AMPLIFIER TYPE: Dual Class D modules (LF and HF).

2 x 2,000 Watts into 2 Ohms; 2 x 1,400 Watts into 4 Ohms; 4,000 Watts into 4 Ohms (bridge mode) ATR (Accelerated Transient Response) technology for ultimate punch and clarity Switchable limiters offer maximum output level with reliable overload protection Detented gain controls for precise setting and matching of sensitivity Precise Power, Signal and Clip LEDs to monitor performance XLR and 1/4" TRS input connectors for compatibility with any source Professional speaker connectors and "touch-proof" binding posts support most speaker wiring systems Selectable low-frequency filters remove damaging infra-sound frequencies Independent DC and thermal overload protection on each channel automatically protects amplifier and speakers High-current toroidal transformer for ultra-high transient response and absolute reliability "Back-to-front" ventilation system including air filter for reliable operation "Built-like-a-tank," impact-resistant, all-steel 2U rackmount chassis 3-Year Warranty Program* Designed and engineered in Germany

Analog Switching Amplifier (not to be confused with traditional digital amplifiers) Sound quality – tube like hi-end.(don’t be mislead by the size of these amps. they will drive ANY loudspeaker with ease. Silver finish – in very good condition. Specifications: • Configuration: Mono; Inputs: RCA and true Balanced XLR • Power Output *RMS Power 190W/8 Ohms * RMS power is the maximum continuous power. Peak power provides the required instantaneous power boost. • Power bandwidth: 100 to 20 kHz +/- 0.8 db; 10 Hz -0.5 db; 60 kHz -3 db • THD+N = 0.03%, 1kHz, 10 W • Input Impedance: 45k-ohms • Gain: 27 dB • Signal/Noise Ratio: 100dB @ 100W • Gold-Plated RCA Input Jack • Speaker Binding Posts accept spade lugs or banana plugs • Chassis is 100% high-grade, brushed and anodized aluminum to reduce audio resonance • Dimensions: 8.5″W x 14″L x 1.8″H (height does not include feet) • Worldwide AC-Voltage Compatibility: 84VAC to 264VAC • Weight: 7 lbs. Pics from the net. Please note:- Due to time wasters – no E-mails will be replied to. rather contat or Whats app me directly on 0826650057.

Power 60 mW/Ch, 32 O Mic Input (balanced XLR) Headphone Output (1/4” [6.35 mm] TRS) Line Input (balanced 1/4 [6.35 mm] TRS) Frequency Response 20 Hz – 20 kHz (+0.1 dB) Frequency Response 20 Hz – 20 kHz (+0.1 dB) Frequency Response 20 Hz – 20 kHz (+0.1 dB) Frequency Response 20 Hz – 20 kHz (+0.1 dB) Instrument Input (unbalanced 1/4? [6.35 mm] TS) Main Outputs, L and R (impedance-balanced 1/4? [6.35 mm] TRS)

Concerto Features Two pairs XLR input connectors for balanced system configurations. Three pairs RCA input connectors for unbalanced system configurations. Two pairs of parallel, high-current, balanced line level preamplifier outputs to allow driving of external amplifiers, subwoofers, zones, etc. Fully-balanced transformer-coupled inputs provide universal compatibility with other components and eliminate ground loop noise and EMI. Fully-balanced circuit topology implemented on all inputs and outputs. Bypass function allows for transparent use in combination audio/home theater systems. Regulated, high-current, linear power supply provides stable operating voltage with the lowest possible noise and distortion artifacts under all operating and line conditions. Low power consumption permits constant power-up operation to eliminate warm-up time. Optical encoder type volume control maintains quiet, trouble-free performance and accuracy over the entire lifetime of the product. Dual range volume control allows large volume level changes when knob is rotated abruptly, yet allows small, precise volume level changes when knob is rotated slowly. Six function, hand-held infrared remote transmitter. Ultra-low resonance, structurally rigid chassis, precision-machined from a solid block of aircraft grade 6061-T6 aluminum. Optional plug-in phono cards (installed internally) convert Line Input 2 to high performance phono inputs. Three gain and loading options can accommodate moving magnet (MM), moving coil (MC) cartridge types and high output moving coil cartridge types. Concerto Specifications Overall Gain 20 dB Gain Range 99.5 dB, 199 Equal Increments Gain Resolution 0.5 dB, +/- 0.03 dB Over Entire Range Frequency Response 10 Hz – 280 kHz, -3 dB Maximum Input Level 15 volts RMS @ 0 dB Gain Maximum Output Level 13.5 volts RMS CCIF Intermodulation Distortion, 19/20 kHz b' Output Noise Level 43 Microvolts, Unweighted 20 Hz – 20 kHz Bandwidth, 0 dB Gain Common Mode Rejection Ratio b'>' 90 dB, 20 Hz – 20 kHz Input Impedance 40K ohms Balanced or Unbalanced Channel Separation b'>' 90 dB, 20 Hz – 20 kHz Inputs 2 pair Balanced (XLR) 1 pair Unbalanced (RCA) Unity Gain (Bypass) 3 pair Unbalanced (RCA) Outputs 2 pair Balanced (XLR) Line Level Power Consumption 7 watts Preamplifier Weight 21 lbs. / 9.8 kg Overall Preamplifier Dimensions (H) x (W) x (D) 3.2” x 17.3” x 12.9” 80mm x 440mm x 328mm

AG1/AF1 Transmitter CR77 Receiver The CR77 Diversity Receiver with AC500 Power Supply from Samson is a wireless, true diversity half-rack mountable and tabletop receiver with 1/4-wave antennas. The CR77 wireless receiver features multi-segment audio and RF level LED meters, a volume and squelch control, and is built with balanced XLR and unbalanced 1/4" output connectors. It has a 300' range of operation and is light enough to throw in your bag, or permanently install with the optional rackmount kit (sold separately). In addition, a mic/line level output switch sets the output level attenuation of the balanced output to line or mic level. Not used much and never gigged. In very good condition. Have original box. Fits snugly into Tupperware container for protection and easy transport.

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

Transducer - Permanently Biased Condenser Polar Pattern - Cardioid Frequency Response - 20-20,000 Hz Dynamic Range (Typical) - 5000 ohm: 133 (136)dB - 2500 ohm: 128 (130)dB - 1000 ohm: 122 (125)dB Signal-to-Noise Ratio - 75dB S/N ratio is the difference between 94dB SPL and equivalent SPL of self-noise A-weighted Maximum Input Sound Level - 5000 ohm: 150 (165)dB - 2500 ohm: 144 (159)dB - 1000 ohm: 139 (154)dB Power Requirements - +48 Vdc Phantom Power Output Impedance - 150 ohms (actual) Output Connectors - Balanced XLR Pad - 0dB or 15dB Pad switch Low Frequency Roll-Off - No Dimensions - 6.325 x 0.950" (162 x 24mm) (L x Diameter) Weight - 6.9 oz (195 grams)

Roland DJ-707M DJ Controller The Roland DJ-707M is a four-channel, four-deck Serato DJ Pro controller engineered for the perfect balance of functionality and portability. Offering a massive amount of control and I/O in a compact package, the DJ-707M is perfect for professional DJs performing at large- and small-scale parties, clubs, and events. Joining a cutting-edge lineup that includes the DJ-808 and DJ-505, the DJ-707M is a uniquely powerful controller built to meet the demands of any serious DJ. Impressively versatile, the DJ-707M adapts to any scenario through its size, connectivity, and comprehensive set of creative tools. Roland DJ-707M Serato DJ Pro DJ Controller Features at a Glance: Versatile four-channel controller with seven dedicated inputs and three assignable output sections. Stereo Master Out with balanced XLR and RCA connectors, plus stereo Booth Out and Zone Out. High-quality dual XLR mic inputs with three-band EQ and selectable effects such as reverb, echo, auto-pitch, and anti-feedback. Comprehensive control panel and LCD screen for clarity and ease of use. Dual USB input for multiple Serato sessions on separate computers. Built-in TR drum patterns for on-the-fly remixing or instrumental accompaniment. One-shot sound effects for energetic performances. Standalone mixer can be used with multi-players or turntables connected to the line and phono inputs, Serato DVS Upgrade ready. MIDI output to sync external devices with Serato DJ Pro.

Operating Frequencies 824 - 831 MHz, 863 - 865 MHz Number Of Channels 2 x 4 frequencies Frequency Stability +/- 0.005%, Phase lock loop frequency control Modulation Mode FM Frequency Response 60 Hz - 16 kHz Operating Range 60m, typical Receiving System Antenna switching diversity Image Rejection 55dB minimum Dynamic Range HH: 108 dB, BP 103 dB (@ max deviation) Sensitivity 10dBµV (S/N 60dB @ 20 kHz deviation) Total Harmonic Distortion Audio Output Unbalanced -2dBV Audio Output Balanced 4dBV Output Connectors (Microphone) Balanced: XLRM-type Output Connectors (Instrument) Unbalanced: 6.3 mm mono jack Maximum Output Level Mic / Line (0 / -20dB) Antenna Input BNC type, 50 - BIAS voltage 12V DC 100mA each Dimensions 200 mm x 42 mm x 122 mm (W x H x D) Weight 418 g without accessories Accessories Included AC Adapter, Antennas, Rack mount adapter, protective carrying case RF Power Output 10 mW Spurious Emissions Following national regulatios Microphone Element Condenser Cardioid Battery Type Two 1.5V AA alkaline Battery Life 10 hours - depending on battery type and use pattern Dimensions 268 mm long - 52 mm (diameter) Accessories Included Stand clamp

A kit of 2 LedPARs and 2 Jellymoons on a T-bar with the possibility to mix RGB with Cool White to achieve extraordinarily beautiful solid colours. Because of the 4-in-1 technology and very high power of the individual LEDs we can achieve a very high output with a minimum quantity of LEDs. The lenses on the front mix all colours perfectly without creating shades in the output. The Jellymoons create an amazing double light effect. This together makes for a great combination. The T-bar has been carried out in a compact casing that can fit almost anywhere. The system includes a remote control that simplifies operation and eliminates the bother of programming. Or you can choose to control with an external DMX controller via its XLR In/Outs. The rugged housing is specially designed for bars, disco, night clubs etc 2 PAR cans with 3x 3W 4-in-1 LEDs 2 Jellymoon with 4x 3W RGBW LEDs RGBW Colour mixing 8 DMX channels DMX and Stand-alone mode Master/slave synchronization IR remote control DMX in/output via 3-pin XLR Pre programmed shows Sound activated with adjustable sensitivity Auto mode with adjustable speed Control panel with LED display Included light stand with max height of 2m Colours PAR RGBW, Jellymoon RGBW No Of LEDs: PAR 3, Jellymoon 4 DMX Channels: 3, 6 or 15 channels DMX Connection: 3-pin XLR Power Supply: 100~240Vac / 50Hz Consumption: 60W Max Height: 1.7m (stand) Dimensions: 730 x 200 x 200mm Weight: 5.65kg

RMS power output: 350W @ 4 ohms Preamp: Solid-state Power amp: Class D Tone controls: bass, mid, treble Onboard limiter Balanced direct out FX loop 1/8” headphone out / line in -15db input pad Power supply: switching Dimensions (H x W x D inches): 2 x 11 x 11 in 69 x 275 x 272 mm Handling weight: 8 lbs / 3.6 kg Further Information Power 350 W Equalizer 3-Band Compressor No Limiter Yes Effects Processor No External effect loops Yes Speaker Connector Jack Headphone Output Yes DI Output Yes Tuner Out No Rack mount No