Audio high low converter

Buy Adjustable 2 Channel RCA Line Car Auto Speaker High to Low Impedance Converter Amplifier Adapter for R215.68

Buy WEAH-5301 Car Audio Frequency Divider High Middle Low Three-way for R484.89

Buy WEAH-5301 Car Audio Frequency Divider High Middle Low Three-way Crossover Sound Quality Crossover for R448.00

Buy Fever Debuggable HIFI Speaker High and Low Sound Two-way Speaker Audio Crossover Kit for R96.53

Buy WEAH-D231 100W HIFI Speaker High and Low 2 Way Frequency Divider Speaker Audio Divider for R156.00

Buy XY-E100L 50Wx2+100W 2.1 Channel bluetooth Audio Power Amplifier Board Module High and Low Tone Subwo for R371.55

About The Philips CE600BT brings all important features you need for enjoying high quality audio and video in car such as 17.3cm WVGA display for perfect viewing, an advanced DSP with 24-bit DAC for crystal clear sound. Product Features Enjoy superior sound DSP for crystal clear audio Music Zone for adjustable sweet spots Dynamic Bass Boost electronically enhances the low tones 7-band parametric equalizer with 8 presets Easy to use Built-in Bluetooth receiver for call and music streaming Wireless Browse & Play for accessing content on smartphone USB slot for music playback and quick charging Design that blends into your car High resolution display with WVGA LCD panel Perfect-fit 2.0 DIN chassis design Rear-view camera ready

Zoom UAC-2 audio converter / USB 3.0 recording interface. In new condition with box, cable and manual. This unit is a step above the rest with USB 3.0. Crystal clear sound with low latency. Reason for selling: upgraded to more channels for multitrack recording. Based in Port Elizabeth. Shipping can be arranged at buyers expense.

Owned these speakers from new. Mint condition other than a small chip on the backside of one to the plinths. I’ve included IsoAcoustics Gaia III isolation feet with this sale (worth ±R8,400). In my experience the Gaia’s enhanced the soundstage, tightened the bass response slightly and were a worthwhile addition to the speakers. The speakers come as standard with spikes. Demos welcome in Sea Point, Cape Town. Specs: Design 2.5-way, floor standing Power Handling 40-180W Frequency Response (-6dB) 30Hz – 34kHz Quoted Sensitivity 91dB Impedance 8 Ohms Crossover Frequencies | Type 250Hz and 1.7kHz | 2nd order low pass, 1st order high pass Drivers – 1 x 200mm IsoFlareTM, multi-fibre bass/mid, with 25mm titanium, dome compression tweeter. – 1 x 200mm multi-paper bass Weight (Per speaker) 25.2kg Dimensions (HxWxD) 1,114 x 250 x 380 mm

Buy WEAH-252 2-way Divider Frequency Speaker Crossover Home Audio High and Low Soun for R161.47

High performance outdoor speakers with outstanding sound quality and weatherproofing. The simple design allows them to be installed in many types of locations. Yamaha’s advanced speaker design combines superior sound quality with excellent weatherproofing Powerful woofer delivers accurate mid/low frequency response Balanced dome tweeter ensures clear high frequency response Excellent audio performance, weatherproof cabinets that are drip, water and UV resistant These speakers have a clean, simple design that will look attractive in any location on the exterior of your house, and even present a tasteful appearance when used in an interior installation.

What’s not to like about this cute little bit of kit? iFi’s new ZEN Stream is a small streamer designed to be partnered with any USB DAC – such as the company’s own ZEN DAC V2, more of which later. It is uniquely flexible for its £399 price, allowing direct connection to services such as Spotify Connect, Qobuz and Tidal Connect (with decoding of MQA mastered material), UPnP, AirPlay, and Roon, via the matching app. It is compatible with a wide range of audio formats up to 384kHz PCM and DSD256, and its open-source architecture means that more functionality is promised via future firmware updates. A series of coloured LEDs indicate the sampling rate and format in use, but lack of space precludes visual display of your album artwork. It’s powered by an external plug-top 9V DC power supply, and there are dual USB sockets plus a S/PDIF coaxial RCA output. If partnered with a ZEN DAC V2, it powers the latter via its USB socket, and iFi supplies the correct USB cable. The ZEN Stream is designed to work with any USB DAC, which is great because you don’t have to commit to another DAC when you buy this streamer. For example, many people have their specific favourites that they’ve built their systems around and don’t want to change them. b'/xc2/xa0' I also tried iFi’s matching £299 ZEN DAC V2 (pictured directly above and below) running its latest firmware during this review. It’s a compact 32-bit desktop design, built to partner USB sources, so there is no S/PIDF coaxial or optical TOSLINK optical input. Although usable as part of a hi-fi system, it’s very much aimed at headphone users wanting a high-quality DAC/headphone amp at a keen price. Both 6.3mm unbalanced and 4.4mm balanced Pentaconn headphone sockets can be found on the front panel, plus a balanced 4.4mm line output round the back. A standard set of unbalanced RCA audio outputs is fitted, with a switch to toggle between fixed and variable operation. The former seems to sound slightly better than the variable and is around 3dB louder too. There’s a Power Match option for headphone users to optimise output for IEM and over-ear headphones, plus a TrueBass feature to boost the bass performance for a more even response between high and low frequencies. TrueBass only affects the headphone outputs. b'/xc2/xa0' I found a small but noticeable difference in sound quality between the high and low Power Match options, by the way. The higher gain option sounds sharper and more immediate. When I increased the volume level on the lower gain setting, it sounded smoother and less immediate. Headphone power output is claimed to be 280mW (unbalanced) or 380mW (balanced) into headphones with an impedance of 120 to 600 ohms. Even using some old low-efficiency AKG K340s, I could achieve fairly high volume levels with the volume around the 2 o’clock setting. Both these iFi products run fairly cool. The streamer gets mildly warm to the touch after an hour or so, but the DAC doesn’t, even when powering headphones at fairly high volume levels. There’s no on/off switch, which suggests the items might be meant to be left powered-up. The ZEN DAC V2 is powered from 5V DC, obtained from a USB socket. A power socket is provided, but no external power supply unit is included. Compared to iFi’s original ZEN DAC, the latest V2 features an XMOS 16-core chip rather than an 8-core type; this boosts audio processing power and increases clock speed and memory, the company says. The V2 also has an updated crystal clock offering reduced jitter, it is claimed, plus MQA decoding. Build quality is impressive for the price. The all-metal construction of these units feels solid, and the buttons and controls have a smooth positive feel. The level of finish is good, and the tapered wing-like shape looks attractive and stylish. Top marks here! THE LISTENING My daily streamer is an Auralic Altair G2, which is many times the cost of iFi’s ZEN Stream – but not many times as good. I found the Auralic sounded more subtly delineated, but the improvement in no way reflected the price difference, showing what fine value the iFi is. The Auralic’s sonic superiority was quite noticeable when I first switched between the two, but as is so often the case with hi-fi, this seemed to grow less significant once I’d listened for half an hour or so. To my ears, the ZEN Stream punches way above its weight. b'/xc2/xa0' For example, playing a recent MQA title on TIDAL – an album called Bach; A Strange Beauty – with pianist Simone Dinnerstein – I was impressed by the sheer power and sonority of the recording when streamed through the iFi, which sounded impressively rich. It really was good. Solo piano tracks sounded lucid yet refined and natural. The concerto was marvellous to hear, with full-bodied, weighty strings that had a lovely richness and warmth. Only intending to sample a few minutes, I listened to the end, so involving was the result. On TIDAL, MQA titles generally sounded best. The Decca Solti recording of Wagner ‘s opera Parsifal was wonderfully vibrant. Non-MQA titles sounded good but usually a tad flatter. I then tried the Kubelik Mahler 7 on TIDAL MQA, and it sounded very good – albeit not quite as impressive as the ripped CD. The recording had a tad less depth and fractionally reduced dynamic contrast when streamed, though the results were still close. It’s interesting that a 16-bit, 44.1kHz ripped CD can still stand its ground against hi-res formats, and that happens with pretty much every streamer I’ve heard, not just the ZEN Stream. Bringing the ZEN DAC V2 into the proceedings, and of course, I found it to be no match for the onboard digital converter built into Auralic’s Altair G2. As the latter is way more expensive, so this hardly came as a complete surprise. The Altair G2 offered greater refinement and effortlessness, as you would expect. Streaming Beethoven ‘s Sonata for Violin and Piano Op 96 on ECM with Yuko Shiokawa and Andras Schiff, it had a smooth unforced naturalness that was highly beguiling. The ECM recording is beautifully open and unexaggerated yet detailed and clear. Still, with the iFi pairing, the balance between violin and piano was nicely managed, and both instruments were reproduced superbly. It wasn’t that far behind; you could still listen to it, having heard the Auralic, all the same. b'/xc2/xa0' Trying a quick blast of Wrecking Ball by Miley Cyrus on headphones through the ZEN DAC V2 and its TrueBass option gave the sound a bit more weight and low-frequency power without sounding boomy or thick. If I were using headphones, I’d engage TrueBass all the time. Some users have complained that the volume control becomes unbalanced at very low settings. I found evidence of this – the left channel cuts out before the right with the control close to zero. But it’s very slight and would only be an issue with very efficient headphones. I usually partner my laptop with a 2014 Shanling H1.1 DAC, but – having been seduced by the choices offered with streaming – I’d largely neglected to listen to my ripped CDs over the last two or three years. Too much to listen to! But, using the laptop with the ZEN DAC V2, I was forcibly reminded how impressive properly ripped CDs could sound. I like to engage the acoustic equalisation option in iTunes, feeling this improves the reproduction of many recordings. The effect is subtle but beneficial. THE VERDICT IFi’s little ZEN Stream streamer is a seriously impressive new streamer, offering great functionality and fine sound in a small package at a low price. Its genius is that it will work with any DAC with a USB connection, which is most these days. Yet it’s also a very pretty picture together with iFi’s own ZEN DAC V2, both visually and sonically. Together they give an engaging and entertaining sound with more detail than you’d expect, plus a lot of operational flexibility in terms of driving headphones. I became rather taken with both of them and reckon they’re both something of a steal – whether you’re looking to use them in your main system or as a desktop or office companion.

LIKE NEW Sound devices 302 Highlights mic or line level inputs and outputs 3 x microphone preamps l e d displays +48 v, +12 v and +12 v t phantom power channels 1 and 2 are stereo linkable high pass filter switches powered by 3 a a batteries includes x l 14 headphone extension cable 4 x adhesive rubber bumpers 4 x color dot stickers Features the 302 portable compact production field mixer from sound devices is a compact, battery powered professional audio mixer with three mic preamps and balanced transformers designed to handle very low frequencies it can be used to interface with wireless transmitters and receivers, camera audio inputs, or external audio recorders in e n g (electronic news gathering), e f p (electronic field production), and broadcast t v applications with a complete feature set like the super bright l e d display, internal limiter, and high pass filter, the 302 can accommodate nearly any over the shoulder production and perform reliably in just about any indoor outdoor field condition controls on the 302 mixer are accessible on its three main surfaces, and the mixer is powered by three internal a a batteries or an external 5 to 18 v d c adapter (sold separately) this mixer is a suitable tool for production companies and camera operators wanting to take control of their audio in addition, an x l 14 headphone extension cable, four adhesive rubber bumpers, four color dot stickers, and a setup menu reference card are also included 3 transformer balanced inputs the compact mixer features 3 transformer balanced microphone or line level switchable inputs via x l r female 3 pin connectors Flexible monitoring the 302's headphone monitor out is capable of varying output impedance between 8 to 2000 ohms the monitor source is capable of individual channel, mono, stereo, m s to stereo monitoring, and more Input and output limiting each input and stereo outputs provide limiting that prevents signal overload, eliminating noise and distortion polarity (phase) reverse switch channels 1 b'&' 2 are stereo linkable and channel 2 features a polarity (phase) reverse switch this makes the 302 ideal for decoding m s stereo captured audio signal Selectable phantom power the unit is capable of powering condenser microphones requiring +48 v, +12 v and +12 v t phantom power phantom power is individually switched for every channel High pass filters a three position high pass filter switch is available on every input and is used to reduce excessive low frequencies at 12 d b per octave at 80 hz or 160 hz center position is off

Air pods max reimagines over ear headphones with advanced technology and superior design featuring an apple designed dynamic driver, these headphones deliver immersive high fidelity audio every detail, from the canopy to the cushions, is crafted for an exceptional fit industry leading active noise cancellation (a n c) blocks outside noise, while transparency mode allows ambient sounds in spatial audio with dynamic head tracking offers a cinema like sound that surrounds you features high fidelity audio: apple designed dynamic driver active noise cancellation: blocks outside noise for an immersive experience transparency mode: allows you to hear and interact with the environment spatial audio: dynamic head tracking for cinema like surround sound computational audio: custom acoustic design combined with the apple h1 chip and advanced software exceptional fit: knitted mesh canopy and memory foam ear cushions seamless experience: effortless setup, on head detection, and seamless device switching audio sharing: easily share audio between two sets of air pods on apple devices long battery life: up to 20 hours of listening, film watching, or talk time with a n c and spatial audio enabled smart case: ultra low power mode to preserve battery charge compatibility: various apple devices including i phone, i pad, and apple t v specifications controls digital crown: turn for volume control, press once to play pause answer calls, press twice to skip forward, press three times to skip back, press and hold for siri noise control button: switch between active noise cancellation and transparency mode battery air pods max: up to 20 hours of listening, movie playback, or talk time on a single charge with a n c or transparency mode enabled charging: 5 minutes of charge provides around 1 5 hours of listening time charging connector: lightning audio driver: apple designed dynamic driver features: active noise cancellation, transparency mode, adaptive e q, spatial audio with dynamic head tracking sensors optical sensor (each ear cup) position sensor (each ear cup) case detect sensor (each ear cup) accelerometer (each ear cup) gyroscope (left ear cup) wireless: bluetooth 5 0 size and weight dimensions: height: 187 3 mm, length: 168 6 mm, width: 83 4 mm weight: 384 8 g smart case weight: 34 5 g package contents air pods max smart case lightning to u s b c cable documentation 12months warranty

The Return Of a Legend. The LEAK STEREO 130 is a high performance, high-fidelity integrated amplifier for the modern-day audio enthusiast. It is designed to be the perfect match to a wide variety of both analog and digital sources, thanks to its diversity of inputs. It has a built-in Moving Magnet (MM) phono pre-amplifier which allows for direct connection to turntable record players. You can also stream music to the LEAK STEREO 130 from any Bluetooth device such as portable music players and smartphones via innovative built-in aptX and AAC codec. One can enjoy CD-quality audio over the Bluetooth wireless connection. To accommodate the modern-day music enthusiast fully, much effort has been made to ensure the LEAK STEREO 130 ’s digital circuitry delivers the level of quality one might expect of a high-performance standalone D/A converter, let alone an integrated amplifier solution. Carefully designed in line with the LEAK ethos of performance, reliability, and craftsmanship, the LEAK STEREO 130 matches contemporary performance with stand-out, classic LEAK styling. Specifications:D/A Converter:ESS Sabre32 Reference ES9018K2MInput Sampling Rates:Optical, Coaxial: 44.1kHz~192kHz; USB: 44.1kHz~384kHz (PCM)/DSD64, DSD128, DSD256Rated Output Power:2 x 45W (8ohm) / 2x65W (4ohm) Bluetooth:A2DP, aptX (priority), SBCUSB Input:1 x USB (B-type)Digital Audio Inputs:2 x Optical TOSlink,1 x RCA COAXDigital Audio Outputs:1 x Optical TOSlink,1 x RCA COAXAnalog Inputs:2 x RCA (AUX1, AUX2),1 x RCA (phono MM)Analog Output:1 x RCA (PRE OUT)Weight: LEAK CDT CD TRANSPORT:- Retro looks, modern capability. For the first time in the history of LEAK, it is possible for the audio enthusiast to enjoy CD and digital media playback. The LEAK CDT offers the highest available standard of sound reproduction from CD playback within this price class. It is also equipped with USB storage device playback functionality. The LEAK CDT utilizes an ultra-smooth slot-loading mechanism that exudes quality and reliability. The CD transport is carefully mounted within its own electromagnetically shielded enclosure and is provided with a dedicated power supply. The digital clock is controlled by a temperature-compensated crystal oscillator that makes sure the digital output from both the coaxial and optical sockets has minimum digital distortion, thus the digital signal extraction is exceptionally precise. The USB storage device playback functionality offers full transport controls and folder/file navigation. The LEAK CDT is compatible with FAT16 and FAT32 formatted devices and will playback media in the format of WMA, MP3, WAV and AAC. Carefully designed in line with the LEAK ethos of performance, reliability and craftsmanship, the LEAK CDT satisfies contemporary audio enthusiast demands with stand-out, classic LEAK styling. Specifications:USB Memory Device Audio Format:Supports WAV, MP3, AAC, WMA formatUSB Memory Device File System:Supports FAT12, FAT16 b'&' FAT32 format.