20th first
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South Africa (All cities)
Buy History of the 20th Century - 1914: The First Blows (No. 17) for R35.00
R 35
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South Africa (All cities)
Buy GB - 1993 - Art in the 20th Century - Royal Mail First Day Cover for R20.00
R 20
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South Africa (All cities)
Issue I was produced from a 240-unit Cylinder with it's number "12" imprinted on the right margin at the end of the 20th row. There were no bars on the top or bottom margins, but the top margin of the sheets in the final printings appeared with an unusual cylinder flaw in the form of a prominent brick-red mark varying in length and thickness above the centre arrow. It was caused by the chromium plating beginning to peel off the copper cylincer and from first of all being barely visible, it developed to the final stages where it stretched from above stamp no. 4 to the edge of no. 9. The flaw had a flattish base, but with a very much indented top line, not unlike a range of mountains seen at a distance - a feature which earned it the name of the "Drakensberg" variety. Quite exceptional item superb MNH but for 3 light hinge marks in margins. The first and scarcest stage of the flaw. Second stage Next stage The final stage
R 4.100
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Port Elizabeth (Eastern Cape)
A pair of early 20th century Ci Wara head-dresses. Male and Female Antelope pair on wooden bases inlaid with brass. Geography: Mali, Bamako region Culture: Bamana peoples Medium:Wood, metal and brass bands, thread Dimensions:H 74.7cm incl base. H 64cm x W 14cm x D 4 cm. Age related wear. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half animal, with the introduction of agriculture to the Bamana. Bamana society is primarily an agricultural one; even today the majority of Bamana peoples are subsistence farmers. These headdresses, also called ci wara, are carved to honor that original mythical being. Under Ci Wara's guidance, humans first learned to cultivate the land and became prosperous and able farmers. When humans gradually became careless and wasteful, however, Ci Wara is said to have buried himself in the earth. To honor Ci Wara's memory, the Bamana created a boli, a power object in which his spirit could reside, and carved headdresses such as these to represent him. Ci wara headdresses combine antelope features with those of other animals that are significant within Bamana culture, such as the earth-digging aardvark or the armored pangolin. The animals are observed in nature to excel in actions that are also critical to the success of the farming effort and, therefore, Bamana life. The elegant and tapered heads of the sculptures, along with the neck, ears, and horns, are modeled on antelope forms. The lower part of the sculpture refers to the aardvark. These headdresses are also characterized by decoration with pierced openwork designs, which create an interplay between positive and negative space, and finely incised geometric patterns, which add to their texture. Highly collectable
R 15.000
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